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John, 887, and Come From Away are the winners of this year’s Toronto Theatre Critics Awards.
Construction Hours, Facebook-Sponsored Funerals, and the Cultural Appropriation Prize
Nappoholics Anonymous is a weekly column featuring twelve random thoughts by…
The Play That Made Me Love the Theatre
I remembered each poem so intimately, so clearly, it was as if the play had etched itself into my heart and my brain ten years earlier; as if I had never put the script down since first touching it.
Casting Announcement: Shakespeare in High Park’s King Lear and Twelfth Night
We have the exclusive on Shakespeare in High Park’s casting for this summer’s productions of King Lear and Twelfth Night.
Mother’s Day Memories, Expectations, and Canadian Idle
I keep suddenly falling asleep on dead bodies lately. I think may have necrolepsy.
Spotlight: Weyni Mengesha
When you speak, Weyni follows your words like a map, as though she expects you to be profound, as though she believes that the next word you say might hold the key to an elusive treasure.
Observations from a Diversity Panelist
When I think about the dozens of characters I’ve portrayed on stage and screen over the years, I wonder if in fact I was misappropriating some of those parts, and if others would have criticized me in those roles.
Gourmet Hot Dogs, Herdoch Mysteries, and Tips for Aspiring Hacks
I’m old enough to remember when “freedom fries” was a misnomer born of protest rather than a fair and accurate description.
What Are the Borders of Canadian Theatre?
Does Canadian theatre have its own style, its own multicultural flavour? Is it widening its audience appeal? Will it ever be as popular as hockey?