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/By / Mar 26, 2024
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Brock Poirier
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Brock Poirier

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iPhoto caption: Photo by Kate Dalton.

REVIEW: Women of the Fur Trade makes a heartthrob of Louis Riel

There’s a war going on out there somewhere, and Louis Riel isn’t here.

By Aisling Murphy
iPhoto caption: Photo by Roya DelSol.

REVIEW: shaniqua in abstraction at Crow’s Theatre blends razor-sharp humour with biting cultural critique

This play is such a delight to watch, and I would definitely go again. I live for this quality of performance, and I’m looking forward to how this play will continue to inspire Black Canadian theatre to come.

By Aisha Lesley Bentham
iPhoto caption: Photo by Dahlia Katz.

REVIEW: Rose Napoli writes the world of Mad Madge with a glittery, fun-filled gel pen

Overall, Mad Madge is a hoot, a compelling story rendered accessible and charming by Napoli’s text and Donaldson’s realization of it.

By Aisling Murphy
iPhoto caption: Tarragon Theatre. Photo by Peter Harte

Tarragon Theatre announces exhilarating 24-25 season

Tarragon Theatre has announced its 53rd season, brimming with local premieres, new plays, and exciting co-productions.

By Aisling Murphy
iPhoto caption: Rose Napoli appears as Margaret in her play Mad Madge. Photo by Dahlia Katz.

What is a feminist rom-com?

Rose Napoli reflects on Mad Madge, rom-coms, and the undeniable power of Patrick Swayze.

By Rose Napoli

REVIEW: Eldritch Theatre’s The House at Poe Corner delights and disturbs

Michael O’Brien and Eric Woolfe’s mashup of Edgar Allan Poe and Winnie the Pooh is Poe-sitively droll.

By Ilana Lucas