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Openings & Closings – Week of April 24

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OPENINGS

These are the shows that are opening in Toronto the week of April 24, 2017.

WEDNESDAY, APRIL 26


CRASH, Soulpepper

After the loss of a loved one, a woman must face the shattering memories of a past trauma. CRASH is the fractured unraveling of memory; blending projections, myth, and dance into a riveting narrative about family, faith and love.

At the Young Centre for the Performing Arts, closes April 29

ENDINGS, Canadian Stage (Spotlight: Australia)

In this poetic audio-visual masterpiece, acclaimed performance maker Tamara Saulwick employs portable turntables, reel-to-reel tape players and live performance in a moving meditation on cycles and the ending of things.

At the Berkeley Street Theatre Downstairs, closes April 30

MEETING, Canadian Stage (Spotlight: Australia)

A visually arresting duet for man and machine, pairing the compulsive, multi-award winning choreography of Antony Hamilton with the obsessive, highly-original instrument-making of Alisdair Macindoe.

At the Berkeley Street Theatre Upstairs, closes April 30

MIDSUMMER (A PLAY WITH SONGS), Tarragon Theatre

Bob’s a failing car salesman on the fringes of the city’s underworld. Helena’s a high-powered divorce lawyer with a taste for other people’s husbands. She’s totally out of his league. He’s not her type at all. They absolutely should not sleep together. Which is, of course, why they do.

At Tarragon Theatre, closes May 28

STRICTLY BALLROOM THE MUSICAL, Mirvish Productions

A maverick dancer risks his career by performing an unusual routine and sets out to succeed with a new partner.

At Princess of Wales Theatre, closes June 25

SUNDAY, APRIL 30


SHAKESBEERS SHOWDOWN – VOLUME 6, Spur-of-the-Moment Shakespeare Collective

Toronto’s hottest indie Shakespeare companies will face off in a battle of winner-takes-all, loser-drinks-most, as contestants cold-read scenes from Shakespeare’s notoriously-hard-to-read First Folio. 

At 918 Bathurst Street, one night only

CLOSINGS

These are the shows that are closing in Toronto the week of April 24, 2017.

WEDNESDAY, APRIL 26


THE DRAUPADI PROJECT, Why Not Theatre (RISER Project)

The spirit of Draupadi, an important feminist icon, is channeled through the character of a nineteen-year-old girl confined in a cell, wrestling with the voices in her head and grappling with the status of women in today’s society.

At the Theatre Centre

PEARLE HARBOUR’S CHAUTAUQUA, Why Not Theatre (RISER Project)

American World-Wartime gal Pearle Harbour, Toronto’s most cerebral drag queen, is literally pitching her tent in the Theatre Centre for a show that’s part revival, part cabaret, part drag and part salvation.

At the Theatre Centre, closes April 26

SATURDAY, APRIL 29


CENTURY SONG, Nightwood Theatre/Volcano/Moveable Beast Collective Production

Inspired in part by Virginia Woolf’s Orlando and Alice Walker’s In Search of Our Mother’s Gardens, soprano Neema Bickersteth seamlessly melds classical song and movement to inhabit a century of women whose identities are contained within a single performer.

At Streetcar Crowsnest

CRASH, Soulpepper

After the loss of a loved one, a woman must face the shattering memories of a past trauma. CRASH is the fractured unraveling of memory; blending projections, myth, and dance into a riveting narrative about family, faith and love.

At the Young Centre for the Performing Arts

SATURDAY, APRIL 29


PRINCE HAMLET, Why Not Theatre

Not yet two months after the death of his father the King, his mother has remarried and Prince Hamlet struggles to understand the world they live in. The ghost of his father directs Hamlet to avenge his murder, but is that the right thing to do? 

At the Theatre Centre

SUNDAY, APRIL 30


ENDINGS, Canadian Stage (Spotlight: Australia)

In this poetic audio-visual masterpiece, acclaimed performance maker Tamara Saulwick employs portable turntables, reel-to-reel tape players and live performance in a moving meditation on cycles and the ending of things.

At the Berkeley Street Theatre Downstairs

LITTLE PRETTY AND THE EXCEPTIONAL, Factory Theatre

Two sisters and their father prepare to open a new sari shop in Toronto’s Little India. While pursuing their life-long family dream, they must also exorcise the demons of their past together.

At Factory Theatre Mainspace

MEETING, Canadian Stage (Spotlight: Australia)

A visually arresting duet for man and machine, pairing the compulsive, multi-award winning choreography of Antony Hamilton with the obsessive, highly-original instrument-making of Alisdair Macindoe.

At the Berkeley Street Theatre Upstairs

ORPHANS, Coal Mine Theatre

A gritty urban tale that questions morality, loyalty, and family while trying to keep quiet the violence and evil that lurks inside everyone.

At Coal Mine Theatre

May Antaki
WRITTEN BY

May Antaki

May is the co-founder and former co-editor-in-chief of Intermission. She edits everything from memoirs to cookbooks, loves maple syrup and boy bands, and is a pretty good first baseman.

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iPhoto caption: Vancouver’s Third Beach. Photos courtesy of Sarah Afful

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