REVIEW: We Quit Theatre challenges existing narratives in its exploration of autofiction
The opposite of “quiet quitting,” this collection makes a joyful noise — and I don’t think anyone would want its creators to resign.
REVIEW: Theatre Rusticle’s Tempest goes gale-force in Act Two
As the production gradually unveils its splendours, the company’s impressive capacity for magic becomes clear.
REVIEW: That Theatre Company’s Angels in America struggles to take flight
Considering how dangerous the play still feels on the page, the bottled-up nature of Craig Pike’s production left me disheartened.
Beyond the Fringes: Next Stage guides artists into creative control
As artists experimented with form and design, the festival compelled audiences to reconsider the boundaries of traditional performance.