Claire Burns
The pacing and interplay is razor sharp. Scenes are beautifully compact, without one extraneous move.
iPhoto caption: Ngabo Nabea, Ucal Shillingford, and Karine Ricard in The Numbers Game. Photo by John Gundy.
The scope of theatre in Toronto is greater than we give it credit for when we’re in our cups, tipsy, and bitching. But it’s when you’re at that place (cups, tipsy, bitching, etc.) that you can get to the heart of what you wish you’d seen.
Feeling for the Edge: The Artist’s Odyssey to the Frontier
If someone tells me that a play is “edgy” I usually have to fight the urge to roll my eyes.