REVIEW: Convictions thoughtfully explores myth in the modern world
Lara Arabian and Théâtre français de Toronto have created a provocative, timely new work that intelligently explores the contradictions of immigration, family, and faith
Lara Arabian and Théâtre français de Toronto have created a provocative, timely new work that intelligently explores the contradictions of immigration, family, and faith
Vaches: The Musical‘s irony might occasionally keep its audience at a distance, but as a celebration of Casselman’s wacky warmth, the show revels in an infectious, ragtag charm.
For its thirteenth season, this beloved Ottawa festival is just getting sweeter: undercurrents has gone bilingual.
Chloé and Jade have created a “patchwork blanket” of their identity, and it’s a feast for the senses, vibrant and textured.
No, she’s never been to Tibet, no, she doesn’t speak the language, yes, she’s from Quebec.
Solstice d’hiver, my first live theatre-going experience of 2022, truly does feel like a homecoming; a gasp of air; a pause from pandemic and asinine convoy.
Some pieces in Crow’s upcoming season are live only, some are digital only, and some are available in whichever form you’d prefer: this season at Crow’s is here to address “the now,” wherever audiences may choose to listen.
Does Canadian theatre have its own style, its own multicultural flavour? Is it widening its audience appeal? Will it ever be as popular as hockey?
For me, English is more cerebral and French is more visceral. One comes from my head and the other comes from my gut.
In French, the play was so alive. But my first drafts were so stiff, like they were encased in rock.