‘Two Perspectives on Disability’: In Conversation with Richard Three at Shakespeare in the Ruff
“There’s a need for [Richard Three] because there’s so little work in this country that centres two disabled people at its core,” Bulmer said.
“There’s a need for [Richard Three] because there’s so little work in this country that centres two disabled people at its core,” Bulmer said.
Feore’s Richard is calm, almost playful, which adds a delicious level of maliciousness that is often overlooked in favour of blatant anger and lust.
We have the exclusive on the casting announcement for Shakespeare BASH’d’s upcoming production of Richard III.
It would have been a big enough task to write using the common parlance of today, but my youthful arrogance made me want to write the play in verse.
Diversifying our stages is not a challenge we can address solely by commissioning lots and lots of new plays.
Time and again, we laughed until we cried.