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REVIEW: In Why It’s (im)Possible at GCTC, parenting is an ever-evolving process

In the context of an increasingly difficult political and social climate for trans youth, Why It’s (im)Possible addresses the need for familial support.

Circus version of Swan Lake touches down at Meridian Arts Centre

This week, TO Live will present Circa’s Duck Pond, a circus reimagining of Swan Lake.

In the darkest months of Yukon winter, it’s all about the Sun Room

I’m here for a week in January as a guest of Nakai Theatre, a hub for theatrical experimentation and outside-the-box programming in Canada’s westernmost territory.

REVIEW: Detailed design anchors confident Who’s Afraid of Virginia Woolf? at Canadian Stage

Tasked for the second time in a year with filling the titanic canvas of the Bluma Appel Theatre, director Brendan Healy opts for hundreds of little strokes over a single massive one.

REVIEW: Two site-specific TIFT shows flirt with nonconformity

Screw the proscenium: a house kitchen and a warehouse take front and centre in Talk Is Free Theatre's productions of Cock and For Both Resting and Breeding.

REVIEW: Heist steals from cinema’s playbook at London’s Grand Theatre

What does it take to pull off a heist? And more importantly, what does it take to pull off a heist on stage? The Grand Theatre’s latest co-production with the Citadel Theatre answers these questions with thrills, style, and spectacle.