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REVIEW: Tarragon’s The Wolf in the Voice abounds in care, howling, and Throat Coat
The Wolf in the Voice is an energetic yet intimate peek into the lives of singers and the instrument that exists within us all.
![A production photo of Qasim Khan of Hamlet and a Fat Ham promo photo featuring Peter Fernandes, superimposed over a photo of the Berkeley Street Theatre.](https://www.intermissionmagazine.ca/wp-content/uploads/2025/02/pfqk-cs1-768x512.png)
Khan starred in Canadian Stage’s recent High Park Hamlet. Now, Fernandes is leading Fat Ham, a contemporary adaptation set at a cookout.
In Rosanna Deerchild’s The Secret to Good Tea, laughter is a crucial part of the brew
“If you get two or three Indigenous people in the same room, somebody is going to start making jokes,” says Deerchild. “We have a lot of trauma, but we also have a lot of laughter and joy. In the Indigenous worldview, that balance is really important. When you become imbalanced, then that's when the wounds start.”
Q&A: Casey and Diana director Andrew Kushnir on bringing the acclaimed drama to Theatre Aquarius
“There’s lots to grieve right now in the world,” says Kushnir. “But there are so few communal places to be with that grief. And I do think grieving in public normalizes a universal human condition: that we’ve all loved and lost something (time, a dream, a way of life) — or, more commonly, a dear someone.”
Meet the participants of What Writing Can Do: The 2025 Musical Theatre Critics Lab
Theatre Aquarius’ National Centre for New Musicals, the Grand Theatre, and Intermission Magazine are excited to announce the cohort of What Writing Can Do: The 2025 Musical Theatre Critics Lab.
REVIEW: Mirvish’s Just For One Day gives Live Aid the showchoir treatment
It’s a group effort to a rather incredible degree — many of the songs are essentially riff battles, with the singers hot-potatoing the melody around.
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