Carlos Rivera – Headshot
Aisling Murphy
Aisling is Intermission's senior editor and an award-winning arts journalist with bylines including the Toronto Star, Globe & Mail, CBC Arts, CTV News Toronto, and Maclean's. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.
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iPhoto caption: Prude production photo by Daniel Wittnebel
Toronto Fringe unveils 2024 Next Stage programming
The Toronto Fringe has announced the lineup for the 17th annual Next Stage Theatre Festival, running at Buddies in Bad Times Theatre from October 16 to 27.
iPhoto caption: Come From Away production still by Matthew Murphy.
REVIEW: Welcome home, Come From Away
On the surface, not much has changed in Irene Sankoff and David Hein’s Tony Award-winning masterwork. But in the two and a half years since Come From Away’s last stint on King Street West, the show has continued to mature, and even improve — the production now playing at the Royal Alexandra Theatre is just stunning.
George Bernard Shaw, Dungeons & Dragons, and me
I love George Bernard Shaw. This is my 11th season as an actor at his namesake festival. I think so much of what Shaw wrote could have been written yesterday. But some people aren’t interested in hearing what Shaw has to say to them 74 years after his death.
iPhoto caption: King James production still by Dahlia Katz.
King James brings basketball — and bromance — to Theatre Aquarius
“Sports and theatre both hold extraordinary characters in extraordinary circumstances,” says director Haysam Kadri. “That’s what my favourite type of theatre is: Characters placed in such interesting circumstances, and seeing how they navigate the world.”
iPhoto caption: ROSA promotional image courtesy of RUTAS.
RUTAS redefines ‘American’ theatre and performance
“I think [Latinx artists] have always been a strong voice, but now we need to be even louder to the rest of Canada,” says multidisciplinary performance artist Carlos Rivera. “The things that we can bring to the table and bring to the stages can show the beauty, and the strain, and the capacities that Latino Americans carry with us in our bodies, in our minds, in our souls.”
iPhoto caption: Production still by Curtis Perry.
The Anger in Ernest and Ernestine is actually a play about love
“The play is based on this exploration of how we express anger,” says director Geoff McBride. “To me, the story is about these two people who come together, and discover that while they think they love each other, they don’t necessarily like each other.”
iPhoto caption: Come From Away production still by Matthew Murphy.
REVIEW: Welcome home, Come From Away
On the surface, not much has changed in Irene Sankoff and David Hein’s Tony Award-winning masterwork. But in the two and a half years since Come From Away’s last stint on King Street West, the show has continued to mature, and even improve — the production now playing at the Royal Alexandra Theatre is just stunning.
iPhoto caption: King James production still by Dahlia Katz.
King James brings basketball — and bromance — to Theatre Aquarius
“Sports and theatre both hold extraordinary characters in extraordinary circumstances,” says director Haysam Kadri. “That’s what my favourite type of theatre is: Characters placed in such interesting circumstances, and seeing how they navigate the world.”
iPhoto caption: Photo by Dahlia Katz.
REVIEW: 1939 finds tremendous power in the things left unspoken
Jani Lauzon’s production, now playing at Canadian Stage, paints a sharp portrait of a fictional residential school, but uses wide swathes of negative space to its advantage.
iPhoto caption: Photo by Johan Persson.
REVIEW: Life of Pi gleams with unforgettable puppets
Based on the beloved novel by Yann Martel, the exquisite touring production uses puppets as its vocabulary, asking complex questions about storytelling and the power of imagination.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: In Rosmersholm, ghosts abound
While the play’s ideas sizzle and pop with contemporary verve, the story’s an occasionally frustrating vessel for those captivating sentiments on politics and identity.
iPhoto caption: Rehearsal photos from The Year of Magical Thinking courtesy of County Roads Theatre Company.
Joan Didion adaptation to play Prince Edward County this fall
This month, County Roads Theatre Company will present The Year of Magical Thinking, a solo show based on the Joan Didion memoir of the same name.
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