TAPA appoints Annemieke Wade as new executive director
iPhoto caption: Photo of Annemieke Wade courtesy of TAPA.
The Toronto Alliance for Performing Arts (TAPA) has appointed Annemieke Wade as its next executive director.
Wade steps into the position with an extensive background in theatre, with past roles including executive director of Roseneath Theatre and Theatre Direct and company manager of Tarragon Theatre. Her passions as an arts leader include increasing accessibility to the arts and promoting diverse voices both on and off the stage.
“Annemieke’s dedication to the arts and her extensive experience make her a good match for TAPA,” said outgoing executive director Jacoba Knaapen in a press release. “She will be an invaluable addition to the team and a strong advocate for our community.”
“I’m honoured to be trusted with this immense responsibility, and I know that I am standing today on the shoulders of giants who have advocated so fiercely for the performing arts and are every part of the TAPA story and legacy,” said Wade. “I made my home in Toronto many years ago and found a warm and welcoming community that embraced and nurtured me, and I am exhilarated to follow in [Knaapen’s] footsteps serving the artists of the city that has offered me more than I could have imagined was possible.”
Wade will officially step into the role on January 6, 2025.
TAPA represents 119 professional theatre, dance, and opera companies in Toronto. The coalition’s major initiatives include the hipTIX discount ticketing system and the annual Dora Mavor Moore Awards for excellence in live performance in Toronto. You can learn more about TAPA here.
Aisling Murphy
Aisling is Intermission's senior editor and an award-winning arts journalist with bylines including the New York Times, Toronto Star, Globe & Mail, CBC Arts, and Maclean's. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.
LEARN MORE
iPhoto caption: Poster art by Jesús Rivera Zavala.
In GCTC’s FLOP!, three actor-comedians craft a musical from scratch
This December, Ottawa’s Great Canadian Theatre Company will present Klif Entertainment’s FLOP! An Improvised Musical Fiasco, created by Ron Pederson and director Alan Kliffer.
iPhoto caption: Courtesy of the St. Michael's College Troubadours.
A Lord of the Flies adaptation hits the Hart House Theatre stage this weekend
Andrea Perez is set to direct the student-led production, which will reimagine the story through a de-colonialist lens.
iPhoto caption: Beowulf in Afghanistan graphic courtesy of GCTC.
Beowulf in Afghanistan to make world premiere at GCTC
As part of its 50th anniversary season, Ottawa’s Great Canadian Theatre Company will program the world premiere of Laurie Fyffe’s Beowulf in Afghanistan, in a production directed by Company of Fools artistic director Kate Smith.
iPhoto caption: Photo courtesy of The Hive
Brampton On Stage partners with local companies to present contrasting pair of fall productions
Brampton Music Theatre is head-banging to the stage with a community theatre production of We Will Rock You, while The Hive Performing Arts is staging Duncan MacMillan and Jonny Donahoe’s Every Brilliant Thing.
iPhoto caption: Poster courtesy of CBC Podcasts
PlayME releases trailer for new audio drama Tunnel Runners
Launching on October 30, the series follows Cam, a 16-year-old gifted student whose struggles with anxiety and depression lead him into a labyrinth of hidden subway tunnels beneath Toronto.
iPhoto caption: Prude production photo by Daniel Wittnebel
Toronto Fringe unveils 2024 Next Stage programming
The Toronto Fringe has announced the lineup for the 17th annual Next Stage Theatre Festival, running at Buddies in Bad Times Theatre from October 16 to 27.
iPhoto caption: A Christmas Story production still by Dahlia Katz.
REVIEW: A Christmas Story feels fresh at Theatre Aquarius
If you want to catch A Christmas Story before it closes, good luck — the show is close to sold out, and with the talent on that stage, it’s not hard to see why.
iPhoto caption: Madame Minister production still by Dahlia Katz.
REVIEW: Madame Minister is a star vehicle for actor Laura Condlln
Laura Condlln and Cyrus Lane offer performances that are worth the drive to Barrie — the two have terrific chemistry and timing.
iPhoto caption: Production still courtesy of The Bee's Knees.
REVIEW: The Bee’s Knees falls short of its timely premise
The Bee’s Knees might evolve into a stronger project down the line, but at present, the play and production feel swept away by the spangled allure of the 1920s setting.
iPhoto caption: J. Kelly Nestruck headshot courtesy of The Globe and Mail.
An exit interview with Globe and Mail theatre critic J. Kelly Nestruck
J. Kelly Nestruck has left the building. (Or at least the aisle seat.)
iPhoto caption: Beowulf in Afghanistan graphic courtesy of GCTC.
Beowulf in Afghanistan to make world premiere at GCTC
As part of its 50th anniversary season, Ottawa’s Great Canadian Theatre Company will program the world premiere of Laurie Fyffe’s Beowulf in Afghanistan, in a production directed by Company of Fools artistic director Kate Smith.
iPhoto caption: My Name Is Lucy Barton production still by Dahlia Katz.
REVIEW: Maev Beaty sparkles at the centre of a sparse My Name Is Lucy Barton
In Rona Munro’s adaptation, My Name Is Lucy Barton loses some bite; it’s debatable how well the idea works as a piece of theatre. That said, Beaty gleams in a rousing solo performance that showcases her range and emotional depth.
Comments