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Intermission Magazine
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Karen Hines as Pochsy. iPhoto caption: Karen Hines as Pochsy. Photos by Gary Mulcahey.

REVIEW: VideoCabaret’s Pochsy IV is bizarre, vicious, and hilarious

I can confidently say that you don’t have to have a 30-year-plus background with Karen Hines’ clown character Pochsy to quickly understand her mix of oddball conviction, sly wordplay, and bland narcissism.

By Ilana Lucas
Actors from the 2025-26 Crow's Theatre season. iPhoto caption: The 'Octet' company. Photos by Dahlia Katz.

Crow’s Theatre announces packed 2025-26 season, including major partnership with Soulpepper

Next season, Crow’s Theatre will stage work by Michael Healey, Dave Malloy, Eboni Booth, Erin Shields, and Tennessee Williams, among others. The company is also launching a three-year partnership with Soulpepper Theatre, which will involve four large-scale 2025-26 co-productions.

By Liam Donovan
Ins Choi in Son of a Preacherman. iPhoto caption: Photo by Chelsey Stuyt.

REVIEW: Ins Choi debuts impassioned new solo musical at Vancouver’s Pacific Theatre

Faith is the message at Son of a Preacherman’s core. Faith in your beliefs, faith in your passions, faith in your calling, and, most of all — faith in yourself.

By Reham Cojuangco
Canadian Stage performing at the High Park Ampitheatre. iPhoto caption: Photo courtesy of Canadian Stage.

Canadian Stage reveals 2025-26 programming

World premieres from local playwrights Erin Shields and Kanika Ambrose feature in Canadian Stage’s 2025-26 season, announced this morning. The lineup also includes a Robert Lepage remount and a pair of Tony Award-nominated dramas.

By Liam Donovan
iPhoto caption: Production image of The Livrarian. Photo by Anita Murphy.

Inaugural Bealtaine Theatre Festival brings contemporary Irish theatre to Toronto

Toronto audiences will experience a diverse selection of Irish theatre, music, and storytelling as the Bealtaine Theatre Festival debuts from April 25 to May 25.

By Krystal Abrigo
Production photo of Waitress at the Grand Theatre. iPhoto caption: Photo by Dahlia Katz.

REVIEW: How does the American musical Waitress land in today’s Canada? It’s complicated

The Theatre Aquarius and Grand Theatre co-production is fascinating for its attempt to harness the pleasures of the Broadway musical form, while casting an awkward-stepping jaundiced eye at fantasies of American identity.

By Gwen Caughell