Skip to main content

Review: People, Places & Things (NYC)

int(100223)
iPhoto caption: People, Places & Things. Photo by Teddy Wolff
/By / Nov 26, 2017
SHARE

People, Places & Things

The National Theatre/Headlong Production

Written by Duncan MacMillan. Directed by Jeremy Herrin. At St. Ann’s Warehouse (NYC). Runs until December 3.

When Emma has a major crisis while onstage playing Nina in The Seagull—missing lines, unsteady on her feet, and uncertain where she is—it’s time for her to check herself into rehab. She snorts one last line of coke off the desk in the reception, thinking that all she needs to do is detox and then she can leave. The medical staff and people in her support group have other plans. She has to face her demons, be honest with herself, and understand why she turned to drugs and alcohol.

Playwright Duncan MacMillan has such a gift for storytelling. (His terrific play Lungs was at Tarragon a few years ago.) In People, Places & Things, he meticulously shows us the slow rise and the complete crash of a drug addict and alcoholic. It’s a careful examination of the culture of addiction and how addicts turn to the same tricks and lies to fool people who love and support them. MacMillan does not give us a neat, satisfying ending. Rather, it’s one that is true and believable.

Jeremy Herrin directs this with swift efficiency. The pace never lets up. The star, of course, is Denise Gough as Emma, who won an Olivier Award for this performance when it played the National Theatre in London. She is mesmerizing. From the hollow, ragged face and the glassy-eyed stare, to the constant unsteadiness on her feet and the fluctuation between regret, sadness, confessional sorrow, and lying, you are taken on a rollercoaster ride of gut-wrenching emotion. And it’s thrilling.

For tickets or more information, click here.

Lynn Slotkin
WRITTEN BY

Lynn Slotkin

Lynn is the former theatre critic for Intermission, and currently writes reviews on her blog The Slotkin Letter. She also does theatre reviews, interviews, and commentary for CIUT Friday Morning (89.5 FM). She was a theatre reviewer for CBC's Here and Now for ten years. On average, she sees 280 shows a year.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


/
Staircase Theatre in Hamilton. iPhoto caption: Photo of Staircase Theatre by Aleena Faisal.

REVIEW: Hamilton Fringe Festival 2025

For this set of reviews, I’ve tried to capture the breadth of this year’s theatrical offerings, visiting nearly half of the festival's venues to take in productions ranging from new dramas and musical comedies to experimental collaborations with technology.

By Charlotte Lilley
Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Toronto Fringe Festival promo photo by Joy Adeola. iPhoto caption: Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Fringe promo photo by Joy Adeola.

REVIEWS: Toronto Fringe Festival 2025

This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.

Masae Day, Landon Doak, Michelle Fisk in 'The Wind Coming Over the Sea.' iPhoto caption: Masae Day, Landon Doak, and Michelle Fisk in 'The Wind Coming Over the Sea.' Photo by Lyon Smith.

REVIEW: A new Emma Donoghue musical takes root at the Blyth Festival

As a resident of southwestern Ontario, what struck me most is how deeply rooted in the region The Wind Coming Over the Sea feels. It's a lively reminder of the cultural inheritances that continue to shape the area today.

By Deanne Kearney
The cast of 'Major Barbara.' iPhoto caption: The cast of 'Major Barbara.' Photo by David Cooper.

REVIEW: Shaw Festival’s metatheatrical Major Barbara is sharp and subversive

Director Peter Hinton-Davis draws on a light smattering of Brechtian techniques — acknowledgements of artifice that enrich and vivify Major Barbara’s clash of morals.

By Liam Donovan
The company of Talk is Free Theatre's 'The Frogs.' iPhoto caption: The company of 'The Frogs.' Photo by Dahlia Katz.

REVIEW: In Barrie, Talk Is Free Theatre delivers well-crafted outdoor staging of rare Sondheim musical The Frogs

Staged inches from the audience by director Griffin Hewitt, the show commendably captures the free-wheeling, anarchic spirit of the text. It’s a toad-ally great opportunity to see this rarity in the froggy flesh.

By Ilana Lucas
Jeff Lillico as Ralph with Yoshie Bancroft as Mitsue in 'Forgiveness.' iPhoto caption: Jeff Lillico as Ralph with Yoshie Bancroft as Mitsue in 'Forgiveness.' Photo by David Hou.

REVIEW: Stratford Festival’s Forgiveness tells a deeply personal story on a sprawling scale

Presented in an increasingly tense political moment, Forgiveness resonates on a level that is part reflection, part warning.

By Charlotte Lilley