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/By / Mar 7, 2024
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Graham Isador
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Graham Isador

Graham Isador is a writer and theatre creator based in Toronto. Best known for his time as a contributing editor with VICE, his work has appeared in The Globe and Mail, the BBC, and GQ. Isador is the author of several plays including Situational Anarchy, Served, and White Heat.

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Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Toronto Fringe Festival promo photo by Joy Adeola. iPhoto caption: Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Fringe promo photo by Joy Adeola.

REVIEWS: Toronto Fringe Festival 2025

This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.

iPhoto caption: Banner provided by Theatre Aquarius.

Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development 

The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.

By Krystal Abrigo
iPhoto caption: Graham Abbey as Leontes with members of the company in 'The Winter's Tale.' Photo by David Hou.

As he plays Leontes at the Stratford Festival, Graham Abbey reflects on his deep bond with The Winter’s Tale

“It’s got to be my favourite [Shakespeare play] at this point,” says Abbey. “I don't understand why it's so rarely done. It’s listed as a ‘problem play,’ and I see that, but I have had such beautiful experiences with it throughout my life… I think it has the ability to unite audience and cast in a deeply human event.”

By Liam Donovan
Masae Day, Landon Doak, Michelle Fisk in 'The Wind Coming Over the Sea.' iPhoto caption: Masae Day, Landon Doak, and Michelle Fisk in 'The Wind Coming Over the Sea.' Photo by Lyon Smith.

REVIEW: A new Emma Donoghue musical takes root at the Blyth Festival

As a resident of southwestern Ontario, what struck me most is how deeply rooted in the region The Wind Coming Over the Sea feels. It's a lively reminder of the cultural inheritances that continue to shape the area today.

By Deanne Kearney
A girl dressed in blue holding a mic and a girl dressed in red with white face paint on, sitting on the ground and making a heart-shaped pose. iPhoto caption: Shanice Stanislaus and Rachel Resnik in '$$$.' Photo by Arin Sang-Urai.

Toronto Fringe is getting ready to send in the clowns

If there’s one notable trend in the 2025 Toronto Fringe lineup, it’s that this year's festival will feature more clowns than you can fit into a very small car. 

By Ryan Borochovitz
Beatriz Pizano, next to text that says iPhoto caption: Photo by Ian Brown Photography.

As far as Beatriz Pizano is concerned, every theatre artist already has a Dora

"From 2010 to the pandemic, [Aluna Theatre's] energy was totally devoted to creating a community of Latinx artists," says this year's Silver Ticket Award recipient. "Now they’ve grown up, and a lot of them are being produced by other companies. Creating that space has been a huge responsibility and I never take it lightly."

By Nathaniel Hanula-James