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Graham Isador
Graham Isador is a writer and theatre creator based in Toronto. Best known for his time as a contributing editor with VICE, his work has appeared in The Globe and Mail, the BBC, and GQ. Isador is the author of several plays including Situational Anarchy, Served, and White Heat.
LEARN MOREAt Next Stage 2024, two shows complicate the meaning of a night out
Gemini, by Louise Casemore, and Prude, by Lou Campbell, explore the hospitality industry and bar culture from different perspectives.
REVIEW: In Ronnie Burkett’s darkly intelligent Wonderful Joe, gentrification hits like a meteor
When Siminovitch-winning puppet virtuoso Ronnie Burkett chose the focus of his latest play, was he thinking of TO Live’s $421-million plan to redevelop its St. Lawrence Centre for the Arts?
REVIEW: 13 Plays About ADHD All At The Same Time is true to its title
While the play’s structure may occasionally leave you feeling as scattered as its protagonists, its heart, humour, and raw honesty will keep your thoughts churning well into the night.
Speaking in Draft: Byron Laviolette
“Right now, the creation-to-production process for a lot of people is from the Toronto Fringe to — hopefully — some theatre recommender grants, to a workshop production, to maybe an actual production,” says What The Festival co-founder Byron Laviolette. “But the realities of mounting a show at the Fringe don’t translate to a two-week run at the Extraspace at Tarragon. Peoples’ appetites are different. Yet we don’t train or support people to translate their shows into those different contexts."
REVIEW: Goblin:Macbeth might just leave you gobsmacked
While most of the entertainment comes from the goblins’ antics whenever the Shakespearean text is paused or subverted for comic effect, the secret sauce to this whole endeavour is that it really is an honest-to-goodness staging of that text, designed to showcase the performers’ near-virtuosic mastery of the material.
REVIEW: The Thanksgiving Play wriggles in performative wokeness
In 2024, is there a way to produce an engaging, culturally sensitive play about the first American Thanksgiving for elementary schoolers? The Thanksgiving Play, penned by Native American playwright Larissa FastHorse and now playing at Mirvish’s CAA Theatre, poses that question in its first five minutes, then throws the query out with the cranberry sauce in its madcap exploration of a devised theatre piece at an unnamed primary school.
YPT has crossed the theatre/comedy barrier for an imaginative retelling of Snow White with an all-star double cast spanning both genres.
Thriving, Brilliant, Brave, Sexy Activism: In Conversation with Darrah Teitel
"If I was trying to change the world, Canadian theatre spaces are probably not the most efficient way to do that..but the liveness of theatre and the beautiful communal experience just cannot be replicated anywhere else.”
What I Wish I’d Known: Laura Nanni
Cultivate the same environment of creativity and fun for yourself that you wish for the artists and audience you plan for.
What I Wish I’d Known: Andrea Donaldson
I believe in a huge distinction between pressure and stress. One is exciting and passionate and one is toxic.
What I Wish I’d Known: Johnnie Walker
You’re going in the right direction, even if the journey winds up taking longer than you planned for.
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