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Anjali Pandit
Anjali Pandit is a theatre artist and arts writer living and working from her childhood home of Mystic, Connecticut (land historically stewarded by the Mashantucket Pequot Nation). During the non-summer months, she can be found in Tiohtiàke, also known as Montréal, where she studies Performance Creation at Concordia University. Of both Indian and European descent, they are largely inspired by stories of cultural connection and disconnection, diaspora and migration, and our ever changing definitions of “home.” She is thankful and excited to be involved in Soulpepper’s Taking on the World project this year; hopefully the works produced can take us all on the trips we’ve been sorely missing.
LEARN MOREGatekeep, gaslight, girlboss: The delight of female rage in theatre
Personally, I support women’s rights and women’s wrongs — especially when it comes to my girl Hedda. And it seems that at least two Ontario directors share my viewpoint, with Hedda Gabler opening twice in the same month at Stratford and at Coal Mine Theatre in Toronto. What makes her story so appealing?
REVIEWS: Toronto International Film Festival 2024
A filmed production of an experimental Egyptian opera, a TV series penned by Jordan Tannahill, and the moviemaking debut of Broadway director Marianne Elliott are among the offerings at this year’s TIFF with connections to the world of theatre.
I’m not a woman, I just play one
“As a performer, my job is to play a character, and if that character is right for me it doesn’t matter what gender they are,” writes non-binary actor Kailin Brown. “What matters is that I can make a difference in someone’s life who can relate to the character, or to me as the actor.”
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REVIEW: The Tempest: A Witch in Algiers brings new meaning to a classic tale
You may think you know the story of The Tempest, Shakespeare’s shipwrecked saga about wizards, spirits, and nobility on a remote island. But in The Tempest: A Witch in Algiers, playwright Makram Ayache invites new consideration of canonized characters,
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Yes, those standing ovations at Something Rotten! are real — just ask Portia and Bea
Two mid-show standing ovations? Really? Yes, really. Or so say the leading ladies of Something Rotten!. For those who’ve spent the summer living under a rock, Something Rotten! (written by...
Lighthouse Festival Theatre announces 2025 season, curated by incoming artistic director Jane Spence
Lighthouse Festival Theatre, located in Port Dover and Port Colborne, has announced its jam-packed 2025 summer season.
The Third Place: Where We’re Really From
We must pay attention to how western trends of showcasing “diverse” content can inadvertently generalize cultural experiences.
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