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Aisling Murphy
Aisling is Intermission's senior editor and an award-winning arts journalist with bylines including the Toronto Star, Globe & Mail, CBC Arts, CTV News Toronto, and Maclean's. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.
LEARN MOREGatekeep, gaslight, girlboss: The delight of female rage in theatre
Personally, I support women’s rights and women’s wrongs — especially when it comes to my girl Hedda. And it seems that at least two Ontario directors share my viewpoint, with Hedda Gabler opening twice in the same month at Stratford and at Coal Mine Theatre in Toronto. What makes her story so appealing?
REVIEWS: Toronto International Film Festival 2024
A filmed production of an experimental Egyptian opera, a TV series penned by Jordan Tannahill, and the moviemaking debut of Broadway director Marianne Elliott are among the offerings at this year’s TIFF with connections to the world of theatre.
I’m not a woman, I just play one
“As a performer, my job is to play a character, and if that character is right for me it doesn’t matter what gender they are,” writes non-binary actor Kailin Brown. “What matters is that I can make a difference in someone’s life who can relate to the character, or to me as the actor.”
![a witch in algiers](https://www.intermissionmagazine.ca/wp-content/uploads/2024/08/wia-ruff-768x512.png)
REVIEW: The Tempest: A Witch in Algiers brings new meaning to a classic tale
You may think you know the story of The Tempest, Shakespeare’s shipwrecked saga about wizards, spirits, and nobility on a remote island. But in The Tempest: A Witch in Algiers, playwright Makram Ayache invites new consideration of canonized characters,
![something rotten](https://www.intermissionmagazine.ca/wp-content/uploads/2024/08/sr-sf-768x512.png)
Yes, those standing ovations at Something Rotten! are real — just ask Portia and Bea
Two mid-show standing ovations? Really? Yes, really. Or so say the leading ladies of Something Rotten!. For those who’ve spent the summer living under a rock, Something Rotten! (written by...
Lighthouse Festival Theatre announces 2025 season, curated by incoming artistic director Jane Spence
Lighthouse Festival Theatre, located in Port Dover and Port Colborne, has announced its jam-packed 2025 summer season.
![a witch in algiers](https://www.intermissionmagazine.ca/wp-content/uploads/2024/08/wia-ruff-768x512.png)
REVIEW: The Tempest: A Witch in Algiers brings new meaning to a classic tale
You may think you know the story of The Tempest, Shakespeare’s shipwrecked saga about wizards, spirits, and nobility on a remote island. But in The Tempest: A Witch in Algiers, playwright Makram Ayache invites new consideration of canonized characters,
![something rotten](https://www.intermissionmagazine.ca/wp-content/uploads/2024/08/sr-sf-768x512.png)
Yes, those standing ovations at Something Rotten! are real — just ask Portia and Bea
Two mid-show standing ovations? Really? Yes, really. Or so say the leading ladies of Something Rotten!. For those who’ve spent the summer living under a rock, Something Rotten! (written by...
Lighthouse Festival Theatre announces 2025 season, curated by incoming artistic director Jane Spence
Lighthouse Festival Theatre, located in Port Dover and Port Colborne, has announced its jam-packed 2025 summer season.
Toronto Dance Theatre reveals exhilarating 2024-25 season
The season will see the return of audience favourite The Magic of Assembly, as well as new work produced in partnership with local institutions such as Nuit Blanche and the Toronto Biennale.
Stratford Festival unveils 2025 season, including the return of Robert Lepage
Next year’s season includes two beloved musicals as well as the return of acclaimed director Robert Lepage, who will direct Macbeth at the Avon Theatre.
A beginner’s guide to Dream in High Park
Looking for a crash course on Toronto’s favourite outdoor theatre tradition? We have you covered!
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