prodigal-review
![Elizabeth Amos](https://www.intermissionmagazine.ca/wp-content/uploads/2024/03/Screen-Shot-2022-11-28-at-4.26.09-PM.png)
Elizabeth Amos
Elizabeth Amos (she/her) is a New York and Toronto-based dramaturg, podcast producer, and theatre critic. A graduate of the American Repertory Theater Institute for Advanced Theater training at Harvard University and the Moscow Art School, recent credits include Jagged Little Pill (Broadway, American Repertory Theatre) and 1776 (Broadway, American Repertory Theatre).
LEARN MOREGatekeep, gaslight, girlboss: The delight of female rage in theatre
Personally, I support women’s rights and women’s wrongs — especially when it comes to my girl Hedda. And it seems that at least two Ontario directors share my viewpoint, with Hedda Gabler opening twice in the same month at Stratford and at Coal Mine Theatre in Toronto. What makes her story so appealing?
REVIEWS: Toronto International Film Festival 2024
A filmed production of an experimental Egyptian opera, a TV series penned by Jordan Tannahill, and the moviemaking debut of Broadway director Marianne Elliott are among the offerings at this year’s TIFF with connections to the world of theatre.
I’m not a woman, I just play one
“As a performer, my job is to play a character, and if that character is right for me it doesn’t matter what gender they are,” writes non-binary actor Kailin Brown. “What matters is that I can make a difference in someone’s life who can relate to the character, or to me as the actor.”
![a witch in algiers](https://www.intermissionmagazine.ca/wp-content/uploads/2024/08/wia-ruff-768x512.png)
REVIEW: The Tempest: A Witch in Algiers brings new meaning to a classic tale
You may think you know the story of The Tempest, Shakespeare’s shipwrecked saga about wizards, spirits, and nobility on a remote island. But in The Tempest: A Witch in Algiers, playwright Makram Ayache invites new consideration of canonized characters,
![something rotten](https://www.intermissionmagazine.ca/wp-content/uploads/2024/08/sr-sf-768x512.png)
Yes, those standing ovations at Something Rotten! are real — just ask Portia and Bea
Two mid-show standing ovations? Really? Yes, really. Or so say the leading ladies of Something Rotten!. For those who’ve spent the summer living under a rock, Something Rotten! (written by...
Lighthouse Festival Theatre announces 2025 season, curated by incoming artistic director Jane Spence
Lighthouse Festival Theatre, located in Port Dover and Port Colborne, has announced its jam-packed 2025 summer season.
REVIEW: Prodigal at Howland Company/Crow’s Theatre
Prodigal will definitely make you laugh, possibly make you cry, and, hopefully, make you think a little bit as well.
![Amaka Umeh as the titular prince in Stratford Festival's 2022 production of Hamlet. She crouches onstage, facing the camera, shouting intently at her audience. Smoke billows from the stage around her hands. Above her head is the red and white logo for STRATFEST@HOME. Original Photo by David Hou. Image courtesy of Stratford Festival.](https://www.intermissionmagazine.ca/wp-content/uploads/2024/03/STRATFEST@HOME-Feature-1-768x512.png)
Stratford at School: The Festival Introduces Curated Educational Streaming Service
STRATFEST@HOME is a digital subscription service that allows patrons to stream the entire catalogue of Stratford Festival On Film recordings.
REVIEW: Yerma at Coal Mine Theatre
Coal Mine Theatre has made a memorable return to the stage, confidently christening their new home with the Canadian premiere of Simon Stone’s Yerma.
REVIEW: The Ballad of Johnny Longstaff at Harbourfront Centre
The themes in Johnny Longstaff are not just inspiring, they’re urgent.
Comments