A Grimm Night review
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Asenia Lyall
Asenia Lyall is a recent graduate of Brock University's Dramatic Arts program. When it comes to theatre she does a little bit of everything, focusing on writing, dramaturgy, and performance. She is a firm believer that brunch can and should happen at any time of day and her favourite acting credits include RED BIKE and Orlando. She is currently enrolled in Toronto Metropolitan University's MFA in Scriptwriting and Story Design.
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Personally, I support women’s rights and women’s wrongs — especially when it comes to my girl Hedda. And it seems that at least two Ontario directors share my viewpoint, with Hedda Gabler opening twice in the same month at Stratford and at Coal Mine Theatre in Toronto. What makes her story so appealing?
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A filmed production of an experimental Egyptian opera, a TV series penned by Jordan Tannahill, and the moviemaking debut of Broadway director Marianne Elliott are among the offerings at this year’s TIFF with connections to the world of theatre.
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REVIEW: The Tempest: A Witch in Algiers brings new meaning to a classic tale
You may think you know the story of The Tempest, Shakespeare’s shipwrecked saga about wizards, spirits, and nobility on a remote island. But in The Tempest: A Witch in Algiers, playwright Makram Ayache invites new consideration of canonized characters,
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Yes, those standing ovations at Something Rotten! are real — just ask Portia and Bea
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Exploring A Grimm Night's lush world of artistic expression is truly, yes, enchanting.
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