Announcing the Cast for Dream in High Park’s 40th Anniversary Production
iPhoto caption: Dream in High Park returns for its 40th anniversary season. Photo by Dahlia Katz.
Dream in High Park is back — and commemorating a major milestone in its production history.
This summer, Canadian Stage will celebrate the beloved tradition’s 40th anniversary by mounting A Midsummer Night’s Dream. As the first play ever presented in the High Park amphitheatre in 1983, A Midsummer Night’s Dream has long been associated with the time-honoured tradition of Shakespeare under the stars — this year’s will be the 10th rendition of A Midsummer Night’s Dream as a part of Dream in High Park.
This year’s production of Dream will be directed by Jamie Robinson and feature a cast of Toronto favourites, including Louisa Zhu, Jadyn Nasato, Megan Legesse, Steven Hao, Ryan G. Hinds, Shelly Antony, Stuart Hefford, Frank Chung, Aaron Willis, Julie Tepperman, Vincent Leblanc-Beaudoin, and Angel Lo.
“It is amazing to be celebrating 40 years of Dream in High Park this year,” said Brendan Healy, artistic director of Canadian Stage, in a press release. “The Dream remains a timeless summer tradition in this city, passed down from generation to generation — for so many Torontonians it is an introduction to live theatre and the beginning of a deeper relationship with the arts community. There is something pure and essential about enjoying live performance outside in the summer that I don’t think will ever stop being magical…so many of the performers that you see on stages across the country today were on the High Park Amphitheatre stage at some point and it is often an important step in a director’s
career.
“The Dream continues to evolve as the theatre community and the city evolve and we look
forward to presenting it for years to come.”
A Midsummer Night’s Dream runs July 21 – September 3 with performances Tuesday through Sunday at 8 p.m. Tickets are available here and cost $29 plus HST. Rush pay-what-you-wish tickets are available for all performances of Dream in High Park.
Aisling Murphy
Aisling is Intermission's senior editor and an award-winning arts journalist with bylines including the New York Times, Toronto Star, Globe & Mail, CBC Arts, and Maclean's. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.
LEARN MORE
iPhoto caption: Photo of Annemieke Wade courtesy of TAPA.
TAPA appoints Annemieke Wade as new executive director
Wade steps into the position with an extensive background in theatre, with past roles including executive director of Roseneath Theatre and Theatre Direct and company manager of Tarragon Theatre.
iPhoto caption: Beowulf in Afghanistan graphic courtesy of GCTC.
Beowulf in Afghanistan to make world premiere at GCTC
As part of its 50th anniversary season, Ottawa’s Great Canadian Theatre Company will program the world premiere of Laurie Fyffe’s Beowulf in Afghanistan, in a production directed by Company of Fools artistic director Kate Smith.
iPhoto caption: Photo courtesy of The Hive
Brampton On Stage partners with local companies to present contrasting pair of fall productions
Brampton Music Theatre is head-banging to the stage with a community theatre production of We Will Rock You, while The Hive Performing Arts is staging Duncan MacMillan and Jonny Donahoe’s Every Brilliant Thing.
iPhoto caption: Poster courtesy of CBC Podcasts
PlayME releases trailer for new audio drama Tunnel Runners
Launching on October 30, the series follows Cam, a 16-year-old gifted student whose struggles with anxiety and depression lead him into a labyrinth of hidden subway tunnels beneath Toronto.
iPhoto caption: Prude production photo by Daniel Wittnebel
Toronto Fringe unveils 2024 Next Stage programming
The Toronto Fringe has announced the lineup for the 17th annual Next Stage Theatre Festival, running at Buddies in Bad Times Theatre from October 16 to 27.
iPhoto caption: Festival image of Jessica Zepeda by Ana Higuera, poster design Victor Terzis
Aluna Theatre drops 2024 RUTAS Festival lineup
The festival showcases a lineup of interdisciplinary talent from across the Americas, with programming connected around the theme of “personal cartographies.”
iPhoto caption: Production still courtesy of The Bee's Knees.
REVIEW: The Bee’s Knees falls short of its timely premise
The Bee’s Knees might evolve into a stronger project down the line, but at present, the play and production feel swept away by the spangled allure of the 1920s setting.
iPhoto caption: J. Kelly Nestruck headshot courtesy of The Globe and Mail.
An exit interview with Globe and Mail theatre critic J. Kelly Nestruck
J. Kelly Nestruck has left the building. (Or at least the aisle seat.)
iPhoto caption: Photo of Annemieke Wade courtesy of TAPA.
TAPA appoints Annemieke Wade as new executive director
Wade steps into the position with an extensive background in theatre, with past roles including executive director of Roseneath Theatre and Theatre Direct and company manager of Tarragon Theatre.
iPhoto caption: Beowulf in Afghanistan graphic courtesy of GCTC.
Beowulf in Afghanistan to make world premiere at GCTC
As part of its 50th anniversary season, Ottawa’s Great Canadian Theatre Company will program the world premiere of Laurie Fyffe’s Beowulf in Afghanistan, in a production directed by Company of Fools artistic director Kate Smith.
iPhoto caption: My Name Is Lucy Barton production still by Dahlia Katz.
REVIEW: Maev Beaty sparkles at the centre of a sparse My Name Is Lucy Barton
In Rona Munro’s adaptation, My Name Is Lucy Barton loses some bite; it’s debatable how well the idea works as a piece of theatre. That said, Beaty gleams in a rousing solo performance that showcases her range and emotional depth.
iPhoto caption: Interior Design production still by Jae Yang.
REVIEW: Interior Design sparkles with zillennial wit
Interior Design watches its Peloton-using, social media-obsessed heroines from an empathetic vantage point, holding space for these women and their problems.
Comments