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Robyn Grant-Moran
Robyn Grant-Moran (Métis Nation of Ontario) is a classical singer, writer, and a jack of many trades who has recently met the requirements to call herself a Bachelor of the Fine Arts (thank you, York University and Indspire!). Along with her BFA, she has also completed the Performance Criticism Training Program with Generator, has studied with some beloved Canadian classical singers, and been in a opera or two. Robyn currently resides in Toronto with her tiny adorable rat dog.
LEARN MOREOur favourite theatre productions of 2024, in Toronto and beyond
End-of-year lists are personal. When it comes to theatre, the question isn’t really what shows you liked most, but which ones left the strongest imprint, continuing to pinball around in your mind and heart even after the set is gone and the cast no longer recalls their lines.
Why should you go to the ballet?
My childhood memories of learning to dance were front and centre for me when I attended opening night of The Nutcracker, performed by the National Ballet of Canada at the Four Seasons Centre for the Performing Arts.
REVIEW: A Christmas Story feels fresh at Theatre Aquarius
If you want to catch A Christmas Story before it closes, good luck — the show is close to sold out, and with the talent on that stage, it’s not hard to see why.
REVIEW: Yes, Holiday! An Improvised Musical really is different every night
Putting aside its opening number and a single proper noun, every word of Bad Dog Theatre’s Dora Award-nominated Holiday! An Improvised Musical has the potential to change from performance to performance.
REVIEW: Canadian Stage revives the Ross Petty panto with pop songs, puns, and a pinch of Ozdust
Making a case for the panto’s return, The Wizard of Oz is full of local references and charm, and perhaps even some surprise guests to fill audiences with hometown pride.
REVIEW: Titaníque loves Céline Dion with all its heart
Content quibbles aside, Titaníque’s inarguable accomplishment is musical: What an amazing showcase for a Canadian cast’s vocal chops and capacity to deliver character through song.
Weesageechak Begins to Dance invites artists and audiences to explore newness together
Weesageechak Begins to Dance is the annual festival of new and innovative First Nations, Métis, and Inuit theatre, opening on November 6 at Native Earth Performing Arts.
There is a rift in the time-space continuum at Withrow Park this summer: multiverse Richard III has met Shakespearean universe Richard III for a coronation and some Shakespearean hijinks.
REVIEW: Otîhêw at Shakespeare in Action
A volcanic eruption and violent colonial expansion has turned the world upside down. Without sun and moon, the realities of famine and smallpox unleash new fears that threaten to unravel the fabric of community.
Change for the Better: On Indigeneity at the Stratford Festival
Both [Sky and Peters] want to honour the Indigenous artists who have worked with the [Stratford] festival for years, quietly carving out space for public and visual representation.
REVIEW: The 39 Steps at County Stage Company
A cast of fantastic actors takes you on an equally fantastic journey through some of the silliest places and situations — it’s great fun.
REVIEW: Women of the Fur Trade at the Stratford Festival
Louis Riel is SO dreamy. Tall. A little disheveled and unkempt, because he’s an introspective poet who’s busy fighting for social justice. And he wears glasses. He’s the total package.
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