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Nathaniel Hanula-James
Nathaniel Hanula-James is a multidisciplinary theatre artist who has worked across Canada as a dramaturg, playwright, performer, and administrator.
LEARN MOREREVIEWS: Toronto Fringe Festival 2025
This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.
Let’s-a go: Embedded with the Fools’ Comedy of Errors
While I was preparing for the summer heat by shopping for lighter clothes, Kate Smith, artistic director of a Company of Fools, was getting ready for their next show. She called me while I was in the Rideau Centre and pitched an idea: “Would you have any interest in being an embedded critic?”
Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development
“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.
“It’s got to be my favourite [Shakespeare play] at this point,” says Abbey. “I don't understand why it's so rarely done. It’s listed as a ‘problem play,’ and I see that, but I have had such beautiful experiences with it throughout my life… I think it has the ability to unite audience and cast in a deeply human event.”

REVIEW: A new Emma Donoghue musical takes root at the Blyth Festival
As a resident of southwestern Ontario, what struck me most is how deeply rooted in the region The Wind Coming Over the Sea feels. It's a lively reminder of the cultural inheritances that continue to shape the area today.
Toronto Fringe is getting ready to send in the clowns
If there’s one notable trend in the 2025 Toronto Fringe lineup, it’s that this year's festival will feature more clowns than you can fit into a very small car.
REVIEWS: Toronto Fringe Festival 2025
This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.
As far as Beatriz Pizano is concerned, every theatre artist already has a Dora
"From 2010 to the pandemic, [Aluna Theatre's] energy was totally devoted to creating a community of Latinx artists," says this year's Silver Ticket Award recipient. "Now they’ve grown up, and a lot of them are being produced by other companies. Creating that space has been a huge responsibility and I never take it lightly."
Three actors juggle 17 roles in Lighthouse Festival’s The Hound of the Baskervilles
“[I’ll] be taking off a full tweed suit and putting on a Victorian dress,” says actor Andrew Scanlon. “There will be a lot of coordination that needs to go on.”
For director, actor, and educator Allen MacInnis, theatre is a precious opportunity for change
“You can’t perform if you’re self-conscious. It’s absolute death. And that extends to every other artist in the theatre: every designer, every director, every composer,” says the former artistic director of Young People’s Theatre. “If you’re concerned about how the audience will judge what you’ve done, something’s held back.”
“Hundreds of pages of text have been cut,” says composer Suzy Wilde. “Many songs have been put on the back burner. That's what writing a musical is: there's a ton of editing that has to be done.”
“I had this idea to write a play about a group of relative strangers who come together with one common goal,” says playwright Mark Crawford. “I love that kind of narrative: people from disparate parts of a community who come together to form their own little community.”

How four GTA drama teachers are modelling the importance of connection, empathy, and collaboration
I suspect that most people who work in theatre professionally, and many who don’t, have a story about a high school drama teacher who changed their life. This edition of Speaking in Draft is a celebration of those figures.
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