good-mother
“We are all coming from somewhere, and we all have ancestors, and we all have this profound connection with not just where we come from but who we come from,” says playwright-performer Martha Knight. “That’s really connected me to the piece and connected me with everybody I’ve worked with on this show.”
REVIEW: Guillermo Verdecchia’s Feast is a fascinating text, but Tarragon’s new production feels hazy
I found the play really resonant and rich and layered. It’s about globalization, privilege, travel, displacement, and inequity, and it brought up many associations and past experiences for me. But I don’t feel that Soheil Parsa’s production fully comes together.
Lighthouse Festival unveils casting for 2025 summer season
The Lighthouse Festival has announced casting details for its 2025 summer season. A mix of returning favourites and new faces will appear in five productions across its two venues in Port Dover and Port Colborne.
REVIEW: VideoCabaret’s Pochsy IV is bizarre, vicious, and hilarious
I can confidently say that you don’t have to have a 30-year-plus background with Karen Hines’ clown character Pochsy to quickly understand her mix of oddball conviction, sly wordplay, and bland narcissism.
Crow’s Theatre announces packed 2025-26 season, including major partnership with Soulpepper
Next season, Crow’s Theatre will stage work by Michael Healey, Dave Malloy, Eboni Booth, Erin Shields, and Tennessee Williams, among others. The company is also launching a three-year partnership with Soulpepper Theatre, which will involve four large-scale 2025-26 co-productions.
REVIEW: Ins Choi debuts impassioned new solo musical at Vancouver’s Pacific Theatre
Faith is the message at Son of a Preacherman’s core. Faith in your beliefs, faith in your passions, faith in your calling, and, most of all — faith in yourself.
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