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“It’s a joy just to be in the room with a bunch of people,” says Browne, who returns to the stage this fall in The Bidding War at Crow’s Theatre. “I love working. I love theatre. I love the whole process. I love being at the read. I love the coffee and the rehearsal. I love the smell of the theatre. I love the feeling of opening night.”
REVIEW: The Lion King offers audiences a cat’s-eye view of sensory delights
Twenty years after The Lion King’s last open-ended Toronto run, Julie Taymor’s directorial and design concepts remain Pride Rock-solid, spilling out from the stage into aisles, balconies, and above the crowd.
REVIEW: A Case for the Existence of God makes meaning of platonic intimacy
The play’s urgency and strength come from the gentle way it presents male vulnerability and platonic intimacy — for lack of which men may burn themselves, or the rest of us, to the ground.
An exit interview with Globe and Mail theatre critic J. Kelly Nestruck
J. Kelly Nestruck has left the building. (Or at least the aisle seat.)
REVIEW: Feu Mr. Feydeau! takes charming liberties with a famous playwright’s life
Feu Mr. Feydeau! is an effortlessly enjoyable historical fantasy that takes on death, the creative act, and life's bittersweet disappointments.
Remembering Gary Reineke, the man who knew how to enter
Gary couldn’t abide a bad show. This was a man who looked imperiously down his nose. You knew judgment was surely there at the tip, and that it would not be forgiving. He couldn’t stand a bad actor.
“It’s a joy just to be in the room with a bunch of people,” says Browne, who returns to the stage this fall in The Bidding War at Crow’s Theatre. “I love working. I love theatre. I love the whole process. I love being at the read. I love the coffee and the rehearsal. I love the smell of the theatre. I love the feeling of opening night.”
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