birds-aftershoot-1
Rebecca Gibian and Natasha Mumba
Rebecca and Natasha are the co-creators of Black Ink Collective. Although they attended the National Theatre School at the same time, their friendship truly began at the Shaw Festival over a shared love of ribs and theatre-related rants. Natasha is a Zambian actress and theatre-maker based in Ontario, and Rebecca is a bilingual Montrealer now living in Toronto who says she "works in theatre" to avoid listing her many aspirations.
LEARN MOREOur favourite theatre productions of 2024, in Toronto and beyond
End-of-year lists are personal. When it comes to theatre, the question isn’t really what shows you liked most, but which ones left the strongest imprint, continuing to pinball around in your mind and heart even after the set is gone and the cast no longer recalls their lines.
Why should you go to the ballet?
My childhood memories of learning to dance were front and centre for me when I attended opening night of The Nutcracker, performed by the National Ballet of Canada at the Four Seasons Centre for the Performing Arts.
REVIEW: A Christmas Story feels fresh at Theatre Aquarius
If you want to catch A Christmas Story before it closes, good luck — the show is close to sold out, and with the talent on that stage, it’s not hard to see why.
REVIEW: Yes, Holiday! An Improvised Musical really is different every night
Putting aside its opening number and a single proper noun, every word of Bad Dog Theatre’s Dora Award-nominated Holiday! An Improvised Musical has the potential to change from performance to performance.
REVIEW: Canadian Stage revives the Ross Petty panto with pop songs, puns, and a pinch of Ozdust
Making a case for the panto’s return, The Wizard of Oz is full of local references and charm, and perhaps even some surprise guests to fill audiences with hometown pride.
REVIEW: Titaníque loves Céline Dion with all its heart
Content quibbles aside, Titaníque’s inarguable accomplishment is musical: What an amazing showcase for a Canadian cast’s vocal chops and capacity to deliver character through song.
When Blind Casting Isn’t Enough
"From the moment I decided I wanted to act in the fifth grade until my graduation from theatre school twelve years later, I never had the opportunity to play a character that was written for someone who looks like me."
Comments