Blithe Spirit-Intermission1

Liam Donovan
Liam is Intermission’s senior editor. His writing has appeared in publications like Maisonneuve, This, and NEXT. He loves the original Super Mario game very much.
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Running at the Schneider Haus National Historic Site in downtown Kitchener, the festival features five site-responsive productions in intimate and unconventional performance spaces.
A sand dune rises under the Gardiner for Sand Flight, a dance show premiering this June
This spring, the Bentway will present the world premiere of Sand Flight, a large-scale outdoor performance by Norwegian choreographer Ingri Fiksdal and theatre director Jonas Corell Petersen. The production features eight dancers and a 50-person community choir performing atop a constructed sand dune.
REVIEW: Mirvish’s Made in Italy dishes a pleasant but lengthy family feast
Made in Italy is a feat of physical comedy, with creator-performer Farren Timoteo seamlessly taking on the distinct voices and mannerisms of about 10 different characters.
TAPA reveals 2025 Dora Award nominees
This morning, the Toronto Alliance for the Performing Arts (TAPA) announced the nominees for the 45th annual Dora Awards, which will be given out at Meridian Hall on June 30.
REVIEW: Montreal’s boundary-pushing Festival TransAmériques wrestles with art’s larger purpose
While I only saw a small portion of FTA's deftly constructed, 20-show lineup, I observed in this year’s programming a definite commitment to platforming artists interested in questioning theatre’s relationship to the real world.
For director, actor, and educator Allen MacInnis, theatre is a precious opportunity for change
“You can’t perform if you’re self-conscious. It’s absolute death. And that extends to every other artist in the theatre: every designer, every director, every composer,” says the former artistic director of Young People’s Theatre. “If you’re concerned about how the audience will judge what you’ve done, something’s held back.”
REVIEW: Montreal’s boundary-pushing Festival TransAmériques wrestles with art’s larger purpose
While I only saw a small portion of FTA's deftly constructed, 20-show lineup, I observed in this year’s programming a definite commitment to platforming artists interested in questioning theatre’s relationship to the real world.

REVIEW: Shaw Festival’s Anything Goes is a fizzy, old-school tonic
As the script pivots between romance and farce, director-choreographer Kimberley Rampersad rides the stylistic waves, creating a production that’s sometimes grounded, sometimes cartoonish.
“As a newcomer to Toronto, I was immediately inspired by what makes the city tick,” says artistic director Olivia Ansell. “I really embrace this sense that the city has a pulse.”
Announcing the winners of the 2025 Toronto Theatre Critics’ Awards
The Toronto Theatre Critics’ Awards jury has announced its 2025 results — 22 winners across 17 categories, plus a pair of special citations.
REVIEW: William Kentridge’s visually extreme Wozzeck disorients at the COC
Instead of merely charting its title character’s fall, this Wozzeck aims to leave its audience in a similarly troubled state.

REVIEW: Britta Johnson’s Life After shimmers in large-scale Mirvish transfer
The show’s tender excavation of grief’s ambiguities hasn’t lost any power in its journey to a bigger house; in fact, it’s clearer than ever.
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