Skip to main content

Playwright-performer S.E. Grummett is bringing ‘queer silliness’ to this year’s Next Stage Theatre Festival

int(97931)
/By / Oct 16, 2023
SHARE

To allegorize the trans experience, theatre artist S.E. Grummett, also known as Grumms, decided to turn themselves into a squid. Or, in their words: “a giant squid monster with tentacle penises.” 

Told through live video, puppetry, and clown, Grumms’ semi-autobiographical solo show Something in the Water wields your typical monster transformation plot as a metaphor for coming out as transgender. It’s a “satirical way of looking at the way we talk about trans identities, trans bodies, and trans people,” Grumms told me over Zoom. In a world that paints trans people as monsters, Something in the Water attempts to reclaim the queer experience of otherness through laughter and joy. 

With three years and over 100 performances under its belt, the show has wowed audiences from Australia and Sweden to the United Kingdom and the United States. Its next stop is Toronto’s Next Stage Theatre Festival, which runs from October 18 to 29 at Buddies in Bad Times Theatre.

The Saskatoon-born creator emphasizes how special it feels to finally bring the show to Toronto. “Anywhere in the world right now needs a little bit more queer joy and queer silliness,” Grumms said. “I’m really excited to… introduce myself, my work, and the aesthetics to the theatre scene here in Toronto, which I don’t know very well.”

“I come from the prairies, where [queerness] is not something that we really ever see on stage,” they explained. “If we are seeing it on stage, it’s from a family’s perspective… it’s not queer people telling our own stories. It’s not trans people telling our own stories.”

Grumms began developing the show when they were about a year into their gender journey. It was only after the pandemic halted the creation process and they returned to the play that they felt more grounded in their identity: “I knew who I was so much more. And as I’ve continued to tour the show over these three years, I know who I am even more.” 

This accrued confidence plays an integral role in Grumms’ ability to adapt the show for audiences of varying ages. A family-friendly performance of Something in the Water is slated to play during Next Stage on October 22nd. When asked about this version, the creator laughed. “This is always a question that comes up when I say tentacle penises. They’re like, ‘but a kids version?’” 

Grumms’ choice to program these modified shows was inspired by conversations with queer organizations and advocacy groups around the globe. When they approached associations and asked if they knew anyone who would be interested in the show, the answer was always the same: “We have a youth group from ages 12 to 16 who’d love to come see it!”

Recognizing this undeniable need for queer representation in youth programming, Grumms collaborated with artists skilled in theatre for young audiences to craft a version that would be suitable for younger attendees. Instead of the more phallic imagery in the original script, this version pokes fun at the squid’s other body parts. “All [of the] sexual content in the show is pared down,” Grumms assured. “So don’t worry, parents!”

Despite its dampening of certain design and text elements, the family-friendly version of Something in the Water still addresses gender identity head-on. Grumms expressed how important it is for “young people to hear stories about coming out and being trans,” particularly for those growing up in an environment where queerness is stigmatized.

“It certainly wasn’t a thing that I heard about until I was an adult,” they recalled. “I think that’s why I came out so much later in life.”

By making theatre like this available to audiences of all generations, we ensure that young queer people feel seen, safe, and empowered in their identities, while also “educat[ing] and creat[ing] meaningful change” for audience members who have perhaps never met a trans person before, said Grumms.

Now, you may still be thinking: “Why a squid?”

To that, Grumms replied: “If we can all laugh at how ridiculous it is that my squid monster is expected to put on a dress and high heels and try and get into the women’s bathroom, then we can all understand that it also feels ridiculous for me, a trans person, to have to present as an assigned gender I no longer identify with.”


Something in the Water, produced by Scantily Glad Theatre, runs at Next Stage Theatre Festival from October 19 to 28. You can learn more about the production here.

Eve Beauchamp
WRITTEN BY

Eve Beauchamp

Eve Beauchamp (they/them) is an award-winning Calgary-based theatre artist, playwright, and graduate of the BFA in Acting at the University of Ottawa. They are the co-artistic director of Levity Theatre Company and primarily create work that explores queerness, capitalism, and neurodivergence through humour, poetry, and storytelling. Currently, you can find them pursuing their Master of Fine Arts in Drama at the University of Calgary.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


/
Jane Spence in front of the Lighthouse building. iPhoto caption: Photos courtesy of Lighthouse Festival.

Lighthouse Festival shines a light on Canadian comedies this summer

“When you laugh with a character, you connect with their story,” says artistic director Jane Spence. “You have more empathy and compassion for whatever their journey is. I believe that humour opens us up to each other’s life experiences. It’s what connects us.”

By Nathaniel Hanula-James
Kamyar Pazandeh and Julia McLellan in 'Waitress.' iPhoto caption: Kamyar Pazandeh and Julia McLellan in 'Waitress.' Photo by Dahlia Katz.

‘Props come with no instructions’: How the Grand and Theatre Aquarius’ Waitress brings diner food to the stage

Ahead of the musical’s upcoming run at Hamilton’s Theatre Aquarius, I spoke with the production’s props and scenic design department to find out how they’re making the pie magic happen.

By Amanda Cosby-Nesbitt
Aerial view of York University's Keele campus. iPhoto caption: Photo courtesy of York University.

A York University symposium is inviting artists and scholars to discuss strategies for combatting repression

“I think the fundamental issue is that the foundation of inequity is still intact,” says co-curator Mariló Nuñez. “If you think about when Canadian theatre was first established, the theatre we were watching and learning about was Eurocentric, Western theatre… We place everything against that [perceived] ideal. Until that changes, I don’t think we can really make a change.”

By Nathaniel Hanula-James
Martha Knight in The King of All Birds. iPhoto caption: Photo by Szymon Lazewski.

After getting its wings in Dublin, The King of All Birds takes flight at Toronto’s inaugural Bealtaine Theatre Festival

“We are all coming from somewhere, and we all have ancestors, and we all have this profound connection with not just where we come from but who we come from,” says playwright-performer Martha Knight. “That’s really connected me to the piece and connected me with everybody I’ve worked with on this show.”

By Magan Carty
Photo of Karen Hines as Pochsy iPhoto caption: Promotional still for Citizen Pochsy (2003). Photo by Gary Mulcahey.

Pochsy’s back! At VideoCabaret, a Canadian underground theatre icon returns to Toronto

“There are opposites at play at all times — in the show, in the writing, in the performance,” says playwright-performer Karen Hines. “When something gets dark, Pochsy might be super light in the delivery of it. When she’s being facetious or giggly, it might even be as she’s destroying a species."

By Liam Donovan
Genny Sermonia. iPhoto caption: Photo by Colton Curtis Photography.

Genny Sermonia sweetens the pot as choreographer of Waitress

When Genny mentions that her brother Julius is part of the ensemble, I smell a story cooking — so I attend a rehearsal at the Grand Theatre to watch the duo in action.

By Treasa Levasseur