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/By / Mar 7, 2024
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Molly Johnson
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Molly Johnson

Born and raised on Unama'ki/Cape Breton Island, Molly Johnson is an emerging maker, freelance writer, Dora Award-winning dance artist, and double Gemini whose body of work imagines alternative ways to be inside a capitalist heteropatriarchal society. This has included a film in which she steamrolls troll dolls with her body, a (still in development) chapbook about power dynamics in dance, and a participatory performance project that maps the impact of togetherness. Ironically, but also fittingly, Molly is a licensed wedding officiant on the weekends. thisismollyjohnson.com

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Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Toronto Fringe Festival promo photo by Joy Adeola. iPhoto caption: Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Fringe promo photo by Joy Adeola.
Reviews

REVIEWS: Toronto Fringe Festival 2025

This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.

The company of 'The Comedy of Errors.' iPhoto caption: The company of 'The Comedy of Errors.' Photo by JVL Photography.
Features

Let’s-a go: Embedded with the Fools’ Comedy of Errors

While I was preparing for the summer heat by shopping for lighter clothes, Kate Smith, artistic director of a Company of Fools, was getting ready for their next show. She called me while I was in the Rideau Centre and pitched an idea: “Would you have any interest in being an embedded critic?”

By Luke Brown
iPhoto caption: Banner provided by Theatre Aquarius.
News

Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development 

“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.

By Krystal Abrigo
The company of a Company of Fools' 'The Comedy of Errors.' iPhoto caption: The company of 'The Comedy of Errors.' Photo by JVL Photography.
Features

As he plays Leontes at the Stratford Festival, Graham Abbey reflects on his deep bond with The Winter’s Tale

“It’s got to be my favourite [Shakespeare play] at this point,” says Abbey. “I don't understand why it's so rarely done. It’s listed as a ‘problem play,’ and I see that, but I have had such beautiful experiences with it throughout my life… I think it has the ability to unite audience and cast in a deeply human event.”

By Liam Donovan
Masae Day, Landon Doak, Michelle Fisk in 'The Wind Coming Over the Sea.' iPhoto caption: Masae Day, Landon Doak, and Michelle Fisk in 'The Wind Coming Over the Sea.' Photo by Lyon Smith.
Reviews

REVIEW: A new Emma Donoghue musical takes root at the Blyth Festival

As a resident of southwestern Ontario, what struck me most is how deeply rooted in the region The Wind Coming Over the Sea feels. It's a lively reminder of the cultural inheritances that continue to shape the area today.

By Deanne Kearney
A girl dressed in blue holding a mic and a girl dressed in red with white face paint on, sitting on the ground and making a heart-shaped pose. iPhoto caption: Shanice Stanislaus and Rachel Resnik in '$$$.' Photo by Arin Sang-Urai.
Features

Toronto Fringe is getting ready to send in the clowns

If there’s one notable trend in the 2025 Toronto Fringe lineup, it’s that this year's festival will feature more clowns than you can fit into a very small car. 

By Ryan Borochovitz