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/By / Mar 26, 2024
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Brock Poirier
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Brock Poirier

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Caleigh Crow. iPhoto caption: Photo by Kelly Osgood.

In the wake of her Governor General’s win, playwright Caleigh Crow is ready to take flight

“I still don’t know how to talk about it,” says Crow. “I read through some of the other recipients in my cohort, and also all the [winners and nominees] before me… It’s affirming to feel like I can stand with some very talented and impactful people.”

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Production photo from The Wolf in the Voice at Tarragon Theatre. iPhoto caption: Photo by Jae Yang.

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The Wolf in the Voice is an energetic yet intimate peek into the lives of singers and the instrument that exists within us all.

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A production photo of Qasim Khan of Hamlet and a Fat Ham promo photo featuring Peter Fernandes, superimposed over a photo of the Berkeley Street Theatre. iPhoto caption: Photo of Peter Fernandes by Lorne Bridgman; photos of Qasim Khan and the Berkeley Street Theatre by Dahlia Katz.

What’s it like to play Hamlet? Ahead of Fat Ham’s Canadian premiere, Qasim Khan and Peter Fernandes trade tales

Khan starred in Canadian Stage’s recent High Park Hamlet. Now, Fernandes is leading Fat Ham, a contemporary adaptation set at a cookout.

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Production photo for The Secret to Good Tea at the Grand Theatre. iPhoto caption: Photo by Rémi Thériault.

In Rosanna Deerchild’s The Secret to Good Tea, laughter is a crucial part of the brew

“If you get two or three Indigenous people in the same room, somebody is going to start making jokes,” says Deerchild. “We have a lot of trauma, but we also have a lot of laughter and joy. In the Indigenous worldview, that balance is really important. When you become imbalanced, then that's when the wounds start.”

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Andrew Kushnir on the first day of rehearsals for Casey and Diana at Theatre Aquarius. iPhoto caption: Photo by Dahlia Katz.

Q&A: Casey and Diana director Andrew Kushnir on bringing the acclaimed drama to Theatre Aquarius

“There’s lots to grieve right now in the world,” says Kushnir. “But there are so few communal places to be with that grief. And I do think grieving in public normalizes a universal human condition: that we’ve all loved and lost something (time, a dream, a way of life) — or, more commonly, a dear someone.”

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Meet the participants of What Writing Can Do: The 2025 Musical Theatre Critics Lab

Theatre Aquarius’ National Centre for New Musicals, the Grand Theatre, and Intermission Magazine are excited to announce the cohort of What Writing Can Do: The 2025 Musical Theatre Critics Lab.

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