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Madeleine Brown
Madeleine Brown is an actor and sometimes writer. She lives in Toronto with two roommates and one (overbearing) cat.
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iPhoto caption: Photo by Dahlia Katz.
REVIEW: Pride and Prejudice gets a postmodern makeover at London’s Grand Theatre
In spite of some missed opportunities, Pride and Prejudice ends up a lighthearted recontextualization of its source material, which should appease all but the most stolid Janeites.
iPhoto caption: 'A Strange Loop' photo by Dahlia Katz.
Announcing the winners of the 2025 Toronto Theatre Critics’ Awards
The Toronto Theatre Critics’ Awards jury has announced its 2025 results — 22 winners across 17 categories, plus a pair of special citations.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Takwahiminana explores what healing means when the past never quite lets go
While playwright Matthew MacKenzie’s lyrical storytelling is always a delight, there’s something astringent and detached about Takwahiminana that produces a distancing effect, preventing it from reaching the emotional highs of his other recent work.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Waitress blends retro charm with contemporary flair at Hamilton’s Theatre Aquarius
This co-production with the Grand Theatre stands up to its Broadway counterpart and makes for a truly delightful night out.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: A Strange Loop cycles between audacious spectacle and deeply personal reflection
A Strange Loop challenges the conventions of large-scale musical theatre while carving its radical place in the Broadway canon.
iPhoto caption: Graphic by Krystal Abrigo.
York University’s Facing Backlash symposium builds solidarities in tough times
The symposium’s two packed days felt to me like the collective pursuit of an elusive, shape-shifting prey. But as participants shared experiences, and common-interest groups opened up their internal dialogue to the rest of the symposium, the contours of what we’re all up against started to come into focus for me, and I felt a collective sense of purpose growing.
The Scientist and the Artist: Conversations with Eugenia Kumacheva and Fiona Reid
Two women at the top of their respective fields have faced surprisingly similar obstacles over the course of their seemingly different careers.
Mad Kitchen: Marjorie Chan’s (Microwaved) Home-Steamed Fish
“Early on, I decided, ‘Marjorie, don’t get miserable with food.’ Even if you’re feeling poor, if you need to eat, and you’re out, and you haven’t had time to prep or whatever, just eat.”
Mad Kitchen: Owais Lightwala’s Haleem
“I’m more interested in the serving of things than the making. My role isn’t to have the recipes, or to be the chef. My role is to take care of the chef.”
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