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Mira Miller
Mira is an arts, lifestyle, and health freelance writer based in Toronto. She covers intersectional feminism, issues affecting the 2SLGBTQ+ community, theatre, body image, and more. In her spare time, you can find her listening to the soundtrack of a musical, watching Broad City, or dreaming about her next meal.
LEARN MOREAt Next Stage 2024, two shows complicate the meaning of a night out
Gemini, by Louise Casemore, and Prude, by Lou Campbell, explore the hospitality industry and bar culture from different perspectives.
REVIEW: In Ronnie Burkett’s darkly intelligent Wonderful Joe, gentrification hits like a meteor
When Siminovitch-winning puppet virtuoso Ronnie Burkett chose the focus of his latest play, was he thinking of TO Live’s $421-million plan to redevelop its St. Lawrence Centre for the Arts?
REVIEW: 13 Plays About ADHD All At The Same Time is true to its title
While the play’s structure may occasionally leave you feeling as scattered as its protagonists, its heart, humour, and raw honesty will keep your thoughts churning well into the night.
Speaking in Draft: Byron Laviolette
“Right now, the creation-to-production process for a lot of people is from the Toronto Fringe to — hopefully — some theatre recommender grants, to a workshop production, to maybe an actual production,” says What The Festival co-founder Byron Laviolette. “But the realities of mounting a show at the Fringe don’t translate to a two-week run at the Extraspace at Tarragon. Peoples’ appetites are different. Yet we don’t train or support people to translate their shows into those different contexts."
REVIEW: Goblin:Macbeth might just leave you gobsmacked
While most of the entertainment comes from the goblins’ antics whenever the Shakespearean text is paused or subverted for comic effect, the secret sauce to this whole endeavour is that it really is an honest-to-goodness staging of that text, designed to showcase the performers’ near-virtuosic mastery of the material.
REVIEW: The Thanksgiving Play wriggles in performative wokeness
In 2024, is there a way to produce an engaging, culturally sensitive play about the first American Thanksgiving for elementary schoolers? The Thanksgiving Play, penned by Native American playwright Larissa FastHorse and now playing at Mirvish’s CAA Theatre, poses that question in its first five minutes, then throws the query out with the cranberry sauce in its madcap exploration of a devised theatre piece at an unnamed primary school.
Isle of Demons blends hope and grief at Guild Festival Theatre
“It's a really powerful piece for right now,” says actor Kiera Publicover. “We see so much grief going on around us all of the time and sometimes it feels impossible to fight through it, but at the end of the day, it's the hope that gets us through.”
Inside three mouth-watering shows at Toronto Fringe 2024
Intermission sat down with the creative masterminds behind three highly anticipated Fringe shows to get the inside scoop on what goes into creating a smash hit.
“I think as Canadian theatre artists, we sometimes like to downplay our contribution,” says Chris Tolley. “But when you actually see people around the world hungry for Canadian stories, you realize we have an awful lot to contribute.”
An intergalactic influencer tackles colonization in Space Girl at Prairie Theatre Exchange
Space Girl explores the concept of social media and the power it holds — a topic deeply important to playwright Frances Koncan.
Soulpepper shines a light on women playwrights with Her Words Festival
“There's something for everyone,” said artistic director Weyni Mengesha. “The work on stage is irreverent, it's uplifting, it’s hilarious, it's quite moving — it’s going to have everything on stage, including you.”
Inspired by ‘80s rom-coms, The Waltz explores young love and the intimacy of sharing stories
“Authenticity may include trauma or suffering, but it doesn't have to end in sadness,” says playwright Marie Beath Badian. “It isn't the end of the story and it isn't the point of the story.”
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