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Hayley Malouin
Hayley is a freelance theatre critic and infrequent graduate student. In addition to Intermission, her work has appeared in The Toronto Star, alt.theatre magazine, and DARTcritics. She was the online reviews editor of alt.theatre from 2017-19, and she is the co-editor of Performance Matters Vol. 4.1-2, titled “Circus and Its Others.”
LEARN MOREOur favourite theatre productions of 2024, in Toronto and beyond
End-of-year lists are personal. When it comes to theatre, the question isn’t really what shows you liked most, but which ones left the strongest imprint, continuing to pinball around in your mind and heart even after the set is gone and the cast no longer recalls their lines.
Why should you go to the ballet?
My childhood memories of learning to dance were front and centre for me when I attended opening night of The Nutcracker, performed by the National Ballet of Canada at the Four Seasons Centre for the Performing Arts.
REVIEW: A Christmas Story feels fresh at Theatre Aquarius
If you want to catch A Christmas Story before it closes, good luck — the show is close to sold out, and with the talent on that stage, it’s not hard to see why.
REVIEW: Yes, Holiday! An Improvised Musical really is different every night
Putting aside its opening number and a single proper noun, every word of Bad Dog Theatre’s Dora Award-nominated Holiday! An Improvised Musical has the potential to change from performance to performance.
REVIEW: Canadian Stage revives the Ross Petty panto with pop songs, puns, and a pinch of Ozdust
Making a case for the panto’s return, The Wizard of Oz is full of local references and charm, and perhaps even some surprise guests to fill audiences with hometown pride.
REVIEW: Titaníque loves Céline Dion with all its heart
Content quibbles aside, Titaníque’s inarguable accomplishment is musical: What an amazing showcase for a Canadian cast’s vocal chops and capacity to deliver character through song.
A Collective Experience: Fringe-ing Wherever You Are
“We could've just said we're not doing a Fringe, that we're just going to take this moment and not do anything. And we all thought, well, this is the mandate of Fringe, to support the artist, to be a platform for the artist. And this is an opportunity.”
Intermission COVID-19 Response & Up-To-Date Theatre News
As efforts continue to contain and prevent the spread of COVID-19, also known as coronavirus, Intermission is dedicated to providing up-to-date news on the status of theatre across the city and ensuring theatregoers have accurate information to plan during this difficult and transitory period.
Intermission: What We’re Looking Forward to In 2020
The editorial team, as well as some of our frequent collaborators, discuss some of their most anticipated productions and projects for 2020.
Intermission’s Most Memorable Theatre Experiences of 2019
The Intermission editorial team, as well as a couple of our frequent collaborators, think back on some of our most memorable theatre experiences from 2019.
2019 In Photos: Best of Dahlia Katz
Freelance professional and Intermission resident photographer Dahlia Katz always keeps our Spotlight series looking sharp. Let's look back on some of her best shots from 2019.
The Most Popular Intermission Articles of 2019
Thanks for another year of Toronto theatre coverage! As the year winds down, check out the ten most-read Intermission articles of 2019.
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