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Blood Wedding

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/By / Mar 26, 2024
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Brock Poirier
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Brock Poirier

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iPhoto caption: Photo by Virginie Meigné.

Animal puppets lay bare the effects of climate catastrophe in Dimanche

How can theatre engage with a crisis as enormous as climate change? One answer: go miniature. That’s the approach Belgian theatre companies Chaliwaté and Focus take in their co-creation Dimanche, playing at Meridian Arts Centre on February 21 and 22.

By Nathaniel Hanula-James
Production photo of People, Places and Things at Coal Mine Theatre iPhoto caption: Photo by Barry McClusky.

REVIEW: Contact highs mix with rehab lows in Coal Mine’s People, Places and Things

Louise Lambert embodies the caustic, recoiling Emma with extraordinary physical and emotional stamina, hands thrust in her hoodie pockets as if they might contain keys to another, less excruciating world.

By Naomi Skwarna
Caleigh Crow. iPhoto caption: Photo by Kelly Osgood.

In the wake of her Governor General’s win, playwright Caleigh Crow is ready to take flight

“I still don’t know how to talk about it,” says Crow. “I read through some of the other recipients in my cohort, and also all the [winners and nominees] before me… It’s affirming to feel like I can stand with some very talented and impactful people.”

By Nathaniel Hanula-James
Production photo from The Wolf in the Voice at Tarragon Theatre. iPhoto caption: Photo by Jae Yang.

REVIEW: Tarragon’s The Wolf in the Voice abounds in care, howling, and Throat Coat

The Wolf in the Voice is an energetic yet intimate peek into the lives of singers and the instrument that exists within us all.

By Gus Lederman
A production photo of Qasim Khan of Hamlet and a Fat Ham promo photo featuring Peter Fernandes, superimposed over a photo of the Berkeley Street Theatre. iPhoto caption: Photo of Peter Fernandes by Lorne Bridgman; photos of Qasim Khan and the Berkeley Street Theatre by Dahlia Katz.

What’s it like to play Hamlet? Ahead of Fat Ham’s Canadian premiere, Qasim Khan and Peter Fernandes trade tales

Khan starred in Canadian Stage’s recent High Park Hamlet. Now, Fernandes is leading Fat Ham, a contemporary adaptation set at a cookout.

By Liam Donovan
Production photo for The Secret to Good Tea at the Grand Theatre. iPhoto caption: Photo by Rémi Thériault.

In Rosanna Deerchild’s The Secret to Good Tea, laughter is a crucial part of the brew

“If you get two or three Indigenous people in the same room, somebody is going to start making jokes,” says Deerchild. “We have a lot of trauma, but we also have a lot of laughter and joy. In the Indigenous worldview, that balance is really important. When you become imbalanced, then that's when the wounds start.”

By Nathaniel Hanula-James