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REVIEW: Against a bloody backdrop, Trident Moon pays homage to the power of resilience

Playing at Crow’s Theatre and set during the 1947 partition of India, the intense fictionalized drama offers a graceful depiction of several women’s high-stakes struggle to resist.

REVIEW: At Factory Theatre, Kelly Clipperton’s new solo show transforms memory lane into a catwalk

Supported by Naomi Campbell’s glamorously grounded direction, which glides over the keys of sharply contrasting emotional scales, Clipperton paints a quippy, unapologetic, nostalgically referential portrait.

Alan Cumming and Ari Shapiro promise to hold nothing back in thoughtful but naughty cabaret

“Cabaret is like a smorgasbord,” says Cumming ahead of the show's engagement at The Rose in Brampton. “You can turn on a sixpence. [It’s about] shocking you with the extremes of what might happen. I think we certainly live up to that.”

London’s Grand Theatre unveils 2025-26 season, including three musicals

The Grand Theatre has announced its six-show subscription season, which features three musicals, a pair of comedies, and the winner of the 2024 Pulitzer Prize for Drama.

A story with no expiry date: Adapting Fall On Your Knees

At this critical political juncture, as so many forces in the world try to mute and silence women, our Canadian stories merit our advocacy and fervent attention.

REVIEW: In Canadian Stage’s Fat Ham, revenge is a dish best served smoked

Fat Ham is self-aware of its nature as an adaptation, twisting the audience’s familiarity with both Hamlet and Blackness to disrupt their assumptions of who these characters are as people.