CLARE COULTER

REVIEW: In Playing Shylock, Saul Rubinek asks: ‘Am I Jewish enough yet?’

Theatre is consistently poised on a precipice where we worry that things will shut down because people care too little, or things will shut down because people care too much. In the nexus between those two states sits Saul Rubinek, espousing the fervent hope that theatre will, instead, teach us to care for each other.

Beowulf in Afghanistan to make world premiere at GCTC

As part of its 50th anniversary season, Ottawa’s Great Canadian Theatre Company will program the world premiere of Laurie Fyffe’s Beowulf in Afghanistan, in a production directed by Company of Fools artistic director Kate Smith.

REVIEW: Snow in Midsummer is a timeless, brilliant tragedy 

Directed by NAC English Theatre artistic director Nina Lee Aquino, the gorgeous details of the production allow audiences to feel the gravitas of every character.

Brampton On Stage partners with local companies to present contrasting pair of fall productions

Brampton Music Theatre is head-banging to the stage with a community theatre production of We Will Rock You, while The Hive Performing Arts is staging Duncan MacMillan and Jonny Donahoe’s Every Brilliant Thing.

Tunnel Runners takes listeners on a podcast journey through Toronto’s hidden chasms 

If you’re tempted to go spelunking and find out for yourself just what lies beyond the curve of a TTC tunnel, pop in your earbuds and press play on Tunnel Runners, a new seven-part original audio drama from CBC’s PlayME podcast.

REVIEW: Maev Beaty sparkles at the centre of a sparse My Name Is Lucy Barton

In Rona Munro’s adaptation, My Name Is Lucy Barton loses some bite; it’s debatable how well the idea works as a piece of theatre. That said, Beaty gleams in a rousing solo performance that showcases her range and emotional depth.