Ottawa’s GCTC reveals 50th anniversary season
iPhoto caption: Posters by Jesús Rivera Zavala
The Great Canadian Theatre Company (GCTC) has revealed its 50th anniversary season, featuring joyful comedy, big ideas, and a local world premiere.
“Our 2024-25 Season is a celebration of how far GCTC has come in the last 50 years, and a chance to look to the future,” said artistic director Sarah Kitz in a press release.
“The season offers a range of productions – from a classic Canadian comedy, to the high-wire act of an improvised musical, to a coming-of-age story: all brought to life by talented local and regional artists. We couldn’t be happier to share this season of performance with you.”
In a new subscription offer, fans of the theatre are invited to become a GCTC ambassador. This five-play subscription includes a ticket to each of the mainstage shows, as well as to the FemmeVox music series. It also includes discounted tickets to any of the other exciting events at GCTC, plus a guest ticket to a show of the ambassador’s choosing (other than FLOP!).
Further information about the coming season, including the season’s artwork by Jesús Rivera Zavala, is available on GCTC’s website.
The Anger in Ernest and Ernestine
Written by Robert Morgan, Martha Ross, and Leah Cherniak
Directed by Geoff McBride
Starring Maryse Fernandes and Drew Moore
September 24 – October 6, 2024
Ernest and Ernestine are in puppy love. Then they move into a tiny basement apartment together. Can their love sustain cohabitation? A hometown team of Ottawa’s finest take on this Canadian comedy classic.
Beowulf in Afghanistan
Written by Laurie Fyffe
Directed by Kate Smith
World premiere
November 12-24, 2024
A Canadian soldier harnesses the medieval Anglo-Saxon text of Beowulf as a life raft through the clash of battle, and after. Supported by GCTC’s Tributary Project.
FLOP! An Improvised Musical Fiasco
Created by Ron Pederson and Alan Kliffer
Directed by Alan Kliffer
Starring Rob Baker, Jan Caruana, and Ron Pederson
A Klif Entertainment production
December 10-22, 2024
The playwright quit, there’s no sheet music, the choreographer was cancelled, and the director went into rehab. World-class performers scramble to create a miraculous new musical in this high-wire act of skill, comedy, and desperation.
Why It’s Impossible to Raise a Girl
Co-created by Sophia Fabiilli, Sarah Kitz, and Zoë Sweet
Written by Sophia Fabiilli
Directed by Evalyn Parry
Starring Zoë Sweet
A SweetnFab Collective production
January 21 – February 2, 2025
Beth is struggling to stay afloat as a single parent, a working professional, and the 45-year-old resident of her mother’s basement. A show about the complex relationship between mother and child, life’s transitions, and parenting in precarious times.
Vierge
Written by Rachel Mutombo
Directed by Dian Marie Bridge
A co-production with Black Theatre Workshop
March 18-30, 2025
Sixteen-year-old Divine’s only real friend is Jesus. When her family joins a new church she learns that the world around her is not as it seems. With heart and humour, Vierge follows four Congolese-Canadian girls as they navigate Christianity, virginity, and teenage hormones.
Liam Donovan
Liam is Intermission’s senior editor. His writing has appeared in publications like Maisonneuve, This, and NEXT. He loves the original Super Mario game very much.
LEARN MORE
Announcing the winners of the 2024 Nathan Cohen Awards
The Canadian Theatre Critics Association has announced the winners of the 2024 Nathan Cohen Awards for Excellence in Critical Writing, including two writers from Intermission.
iPhoto caption: Photo by Dahlia Katz.
High-octane crime caper makes Ontario premiere at London’s Grand Theatre
This January, the Grand is diving into the world of diamonds, deals, and deceit with Arun Lakra’s Ocean’s Eleven-inspired Heist.
Call for applications: Publishing and editorial assistant
Intermission Magazine is seeking a dynamic and collaborative individual to join our team.
iPhoto caption: What Writing Can Do: The 2025 Musical Theatre Critics Lab
Announcing What Writing Can Do: The 2025 Musical Theatre Critics Lab
What Writing Can Do is timed to coincide with the Grand and Theatre Aquarius’ co-production of Waitress, which will serve as a jumping-off point for discussions throughout the Lab.
iPhoto caption: Poster art by Jesús Rivera Zavala.
In GCTC’s FLOP!, three actor-comedians craft a musical from scratch
This December, Ottawa’s Great Canadian Theatre Company will present Klif Entertainment’s FLOP! An Improvised Musical Fiasco, created by Ron Pederson and director Alan Kliffer.
iPhoto caption: Courtesy of the St. Michael's College Troubadours.
A Lord of the Flies adaptation hits the Hart House Theatre stage this weekend
Andrea Perez is set to direct the student-led production, which will reimagine the story through a de-colonialist lens.
Announcing the winners of the 2024 Nathan Cohen Awards
The Canadian Theatre Critics Association has announced the winners of the 2024 Nathan Cohen Awards for Excellence in Critical Writing, including two writers from Intermission.
iPhoto caption: Photo by Dahlia Katz.
High-octane crime caper makes Ontario premiere at London’s Grand Theatre
This January, the Grand is diving into the world of diamonds, deals, and deceit with Arun Lakra’s Ocean’s Eleven-inspired Heist.
iPhoto caption: Photographed productions from L to R, top to bottom, with the photographer in brackets: seven methods of killing kylie jenner (Dahlia Katz), Big Stuff (Dahlia Katz), De Profundis (Dahlia Katz), Goblin:Macbeth (Jae Yang), Salesman in China (David Hou), Dana H. (John Lauener), Earworm (Dahlia Katz), Age Is a Feeling (Dahlia Katz), Honey I’m Home (Eden Graham).
Our favourite theatre productions of 2024, in Toronto and beyond
End-of-year lists are personal. When it comes to theatre, the question isn’t really what shows you liked most, but which ones left the strongest imprint, continuing to pinball around in your mind and heart even after the set is gone and the cast no longer recalls their lines.
iPhoto caption: Photo by Danelle Jane Tran.
REVIEW: Yes, Holiday! An Improvised Musical really is different every night
Putting aside its opening number and a single proper noun, every word of Bad Dog Theatre’s Dora Award-nominated Holiday! An Improvised Musical has the potential to change from performance to performance.
iPhoto caption: Poster art by Jesús Rivera Zavala.
In GCTC’s FLOP!, three actor-comedians craft a musical from scratch
This December, Ottawa’s Great Canadian Theatre Company will present Klif Entertainment’s FLOP! An Improvised Musical Fiasco, created by Ron Pederson and director Alan Kliffer.
iPhoto caption: Photo by Roya DelSol.
REVIEW: Tarragon’s Craze lacks focus — that’s what makes it fun
A frenzied test of endurance, Craze whips along like a social media feed on steroids, sprinting from image to image with wild, masculine bravado.
Comments