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/By / Mar 25, 2024
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Brock Poirier
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Brock Poirier

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iPhoto caption: Photo courtesy of Grand Theatre.

London’s Grand Theatre unveils 2025-26 season, including three musicals

The Grand Theatre has announced its six-show subscription season, which features three musicals, a pair of comedies, and the winner of the 2024 Pulitzer Prize for Drama.

By Liam Donovan
iPhoto caption: Set design by Camellia Koo, Costume design by Judith Bowden, Lighting design by Leigh Ann Vardy, and photo by Dahlia Katz. Features Samantha Hill and Amaka Umeh.

A story with no expiry date: Adapting Fall On Your Knees

At this critical political juncture, as so many forces in the world try to mute and silence women, our Canadian stories merit our advocacy and fervent attention.

By Alisa Palmer
Production photo of Canadian Stage's Fat Ham. iPhoto caption: Photo by Dahlia Katz.

REVIEW: In Canadian Stage’s Fat Ham, revenge is a dish best served smoked

Fat Ham is self-aware of its nature as an adaptation, twisting the audience’s familiarity with both Hamlet and Blackness to disrupt their assumptions of who these characters are as people.

By Stephanie Fung
Production photo from The Merchant of Venice at Shakespeare BASH'd. iPhoto caption: Photo by Kyle Purcell.

REVIEW: How Shakespeare BASH’d transformed The Merchant of Venice into a tense, layered tragedy

Julia Nish-Lapidus’ recently closed production sensitively explored the issues raised in Mark Leiren-Young’s Playing Shylock without purporting to offer any answers.

By Ilana Lucas
Image of playwright and performer, Kelly Clipperton. Photo by Jennifer Rowsom. iPhoto caption: Photo by Jennifer Rowsom

Q&A: Playwright-performer Kelly Clipperton on his new ‘one-man-lady-cabaret’ show

Let’s Assume I Know Nothing, and Move Forward From There offers a look at grief, joy, and the unexpected lessons that accompany personal transformation.

By Krystal Abrigo
Production photo of the Grand Theatre and NAC Indigenous Theatre's The Secret to Good Tea. iPhoto caption: Photo by Dahlia Katz.

REVIEW: The Secret to Good Tea balances poetry and humour at London’s Grand Theatre

This co-production with National Arts Centre Indigenous Theatre offers deeply personal insights into under-acknowledged aspects of Canada’s colonial past and present.

By Charlotte Lilley