Bend It Like Beckham -Benches
iPhoto caption: Photo by Roya DelSol.
REVIEW: Tarragon’s Craze lacks focus — that’s what makes it fun
A frenzied test of endurance, Craze whips along like a social media feed on steroids, sprinting from image to image with wild, masculine bravado.
iPhoto caption: Courtesy of the St. Michael's College Troubadours.
A Lord of the Flies adaptation hits the Hart House Theatre stage this weekend
Andrea Perez is set to direct the student-led production, which will reimagine the story through a de-colonialist lens.
iPhoto caption: Photo by Henry Chan.
REVIEW: Erased at TPM sends its greetings from a precarious future
It’s in the moments of poignant ambiguity that Open Heart Surgery Theatre and Theatre Passe Muraille’s Erased really succeeds in firing up the audience’s imaginations, inviting us to try envisioning a better future.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Baram and Snieckus’ Big Stuff uses improv to explore the materiality of grief
The couple’s Second City-tested comic repartee keeps the show moving with delicious lightness.
Why I’m tired of cripface in Toronto theatre
Cripface is when an able-bodied, or able-passing, person performs a disabled experience that isn’t their own. Local theatre companies large and small, indie and established, have engaged in this practice.
iPhoto caption: The Bidding War production still by Dahlia Katz.
REVIEW: The Bidding War is a Lear-worthy extravaganza of housing hell
Ultimately, Albert’s play isn’t just about the house; it’s about a sort of cosmic fairness that has never existed, and how we might feel justified in tipping the scales in our favour after seeing the unscrupulous get rewarded again and again.
Comments