The Waltz Kicks Off National Tour at Factory Theatre
iPhoto caption: Photo by Dahlia Katz.
Toronto’s favourite onstage rom-com is returning to Factory Theatre this fall.
The Waltz, written by Marie Beath Badian and directed by Nina Lee Aquino, will return to the Factory Theatre mainstage from September 6-17, once more starring Anthony Perpuse as RJ and Ericka Leobrera as Bea.
The critically acclaimed production will then tour to Prairie Theatre Exchange in Winnipeg and the Great Canadian Theatre Company in Ottawa.
It’s 1993, and teenager Romeo Alvarez is travelling across the country from Scarborough to Vancouver for university. Guilted by his mom into visiting old family friends, Romeo makes a pit stop in Saskatchewan, where he ultimately meets the mysterious Bea Klassen. The Waltz is a dazzling tale of love, fate, and family, playing out under the magnificent Saskatchewan sky with more than a hint of nostalgia for the 1990s.
Tickets prices for The Waltz at Factory Theatre range from $20 – $80, and include a limited number of $0 tickets for every performance. Audiences are invited to select the ticket price option that works best for them to experience the show.
You can learn more about Factory Theatre and The Waltz here.
Aisling Murphy
Aisling is Intermission's former senior editor and the theatre reporter for the Globe and Mail. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.
LEARN MORE
iPhoto caption: Photo by Andree Lanthier.
GCTC to close out season with Rachel Mutombo’s Vierge
Co-produced by Montreal’s Black Theatre Workshop and directed by Dian Marie Bridge, Vierge will run from March 18 to 30 at the Irving Greenberg Theatre Centre in Ottawa.
iPhoto caption: Photo courtesy of Grand Theatre.
London’s Grand Theatre unveils 2025-26 season, including three musicals
The Grand Theatre has announced its six-show subscription season, which features three musicals, a pair of comedies, and the winner of the 2024 Pulitzer Prize for Drama.
Meet the participants of What Writing Can Do: The 2025 Musical Theatre Critics Lab
Theatre Aquarius’ National Centre for New Musicals, the Grand Theatre, and Intermission Magazine are excited to announce the cohort of What Writing Can Do: The 2025 Musical Theatre Critics Lab.
iPhoto caption: Photo by Pia Johnson.
Circus version of Swan Lake touches down at Meridian Arts Centre
This week, TO Live will present Circa’s Duck Pond, a circus reimagining of Swan Lake.
Announcing the winners of the 2024 Nathan Cohen Awards
The Canadian Theatre Critics Association has announced the winners of the 2024 Nathan Cohen Awards for Excellence in Critical Writing, including two writers from Intermission.
iPhoto caption: Photo by Dahlia Katz.
High-octane crime caper makes Ontario premiere at London’s Grand Theatre
This January, the Grand is diving into the world of diamonds, deals, and deceit with Arun Lakra’s Ocean’s Eleven-inspired Heist.
iPhoto caption: Photo by Aisling Murphy.
In the darkest months of Yukon winter, it’s all about the Sun Room
I’m here for a week in January as a guest of Nakai Theatre, a hub for theatrical experimentation and outside-the-box programming in Canada’s westernmost territory.
Armchairs, tattoos, and an online theatre magazine
When I started at Intermission, my world was limited to the confines of an armchair. Arts journalism was a high it felt dangerously fruitless to chase. The life stretched ahead of me was amorphous and frightening, a chasm filled with hand sanitizer and immigration concerns. It was worth crying over a spilled kombucha and scrubbing at the stain.
iPhoto caption: Liz Appel headshot courtesy of Liz Appel.
Five questions with Wights playwright Liz Appel
Intermission spoke with Appel over email for a brief Q&A about Wights, now playing at Crow’s Theatre until February 9.
Call for applications: Publishing and editorial assistant
Intermission Magazine is seeking a dynamic and collaborative individual to join our team.
iPhoto caption: What Writing Can Do: The 2025 Musical Theatre Critics Lab
Announcing What Writing Can Do: The 2025 Musical Theatre Critics Lab
What Writing Can Do is timed to coincide with the Grand and Theatre Aquarius’ co-production of Waitress, which will serve as a jumping-off point for discussions throughout the Lab.
iPhoto caption: A Christmas Story production still by Dahlia Katz.
REVIEW: A Christmas Story feels fresh at Theatre Aquarius
If you want to catch A Christmas Story before it closes, good luck — the show is close to sold out, and with the talent on that stage, it’s not hard to see why.
Comments