Andrew Cameron
iPhoto caption: Photo by Dahlia Katz.
REVIEW: A Public Display of Affection simultaneously holds your hand and breaks your heart
Like a disco ball shimmering to a Donna Summer hit, playwright-performer Jonathan Wilson illuminates and refracts detailed memories about absent friends whose names, struggles, and lives have otherwise vanished, while walking through modern streets where a little gay hand-holding in Starbucks goes completely unnoticed.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Theatre Aquarius’ Fully Committed playfully satirizes the world of fine dining
The play’s back-and-forth premise makes for an excellent showcase of Gavin Crawford’s substantial comedic chops.
iPhoto caption: Photo by Damon McLean.
REVIEW: Riot King’s Red examines Rothko’s uncompromising legacy
While Red cannot unseal the legacy of its paintings, this iteration conjures an immense compassion for the arts workers who try.
iPhoto caption: Farren Timoteo in Made in Italy. Photo by Trudie Lee.
Theatre Calgary announces 2025–26 season
The 2025-26 season at Theatre Calgary features six productions, including a world premiere musical, a contemporary Canadian classic, and the return of a sold-out comedy.
iPhoto caption: Photo by Colton Curtis Photography.
Genny Sermonia sweetens the pot as choreographer of Waitress
When Genny mentions that her brother Julius is part of the ensemble, I smell a story cooking — so I attend a rehearsal at the Grand Theatre to watch the duo in action.
iPhoto caption: Photo of Ada Aguilar by Dahlia Katz.
Speaking in Draft: Ada Aguilar
“I'm really passionate about the role of stage management as social activism, and as a way to provide safety and support for a production and its people,” says Aguilar. “We put everything of ourselves into these productions, but we also have to be good to ourselves.”
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