Megan Follows and Sergio Di Zio_Four Minutes Twelve Seconds_Studio 180 Theatre_photo by Dahlia Katz
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Liam Donovan
Liam is Intermission’s publishing and editorial assistant. Based in Toronto, his writing has appeared in Maisonneuve, This Magazine, NEXT Magazine, and more. He loves the original Super Mario game very much.
LEARN MOREGatekeep, gaslight, girlboss: The delight of female rage in theatre
Personally, I support women’s rights and women’s wrongs — especially when it comes to my girl Hedda. And it seems that at least two Ontario directors share my viewpoint, with Hedda Gabler opening twice in the same month at Stratford and at Coal Mine Theatre in Toronto. What makes her story so appealing?
REVIEWS: Toronto International Film Festival 2024
A filmed production of an experimental Egyptian opera, a TV series penned by Jordan Tannahill, and the moviemaking debut of Broadway director Marianne Elliott are among the offerings at this year’s TIFF with connections to the world of theatre.
I’m not a woman, I just play one
“As a performer, my job is to play a character, and if that character is right for me it doesn’t matter what gender they are,” writes non-binary actor Kailin Brown. “What matters is that I can make a difference in someone’s life who can relate to the character, or to me as the actor.”
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REVIEW: The Tempest: A Witch in Algiers brings new meaning to a classic tale
You may think you know the story of The Tempest, Shakespeare’s shipwrecked saga about wizards, spirits, and nobility on a remote island. But in The Tempest: A Witch in Algiers, playwright Makram Ayache invites new consideration of canonized characters,
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Yes, those standing ovations at Something Rotten! are real — just ask Portia and Bea
Two mid-show standing ovations? Really? Yes, really. Or so say the leading ladies of Something Rotten!. For those who’ve spent the summer living under a rock, Something Rotten! (written by...
Lighthouse Festival Theatre announces 2025 season, curated by incoming artistic director Jane Spence
Lighthouse Festival Theatre, located in Port Dover and Port Colborne, has announced its jam-packed 2025 summer season.
REVIEWS: Toronto International Film Festival 2024
A filmed production of an experimental Egyptian opera, a TV series penned by Jordan Tannahill, and the moviemaking debut of Broadway director Marianne Elliott are among the offerings at this year’s TIFF with connections to the world of theatre.
![A collage of production photos from the 2024 SummerWorks Performance Festival.](https://www.intermissionmagazine.ca/wp-content/uploads/2024/08/swpf24-1-768x512.png)
REVIEW: This year’s SummerWorks Performance Festival embraced danger — in more ways than one
Several of this year's productions took direct aim at our present moment’s evils: Targets included corporate speaking gigs, rent payments, climate change, global wealth inequality, and the ostracization of horse girls.
Guild Festival Theatre to present one-night-only concert version of Evalyn Parry’s SPIN
Inspired in part by the incredible true story of Annie Londonderry, who in 1895 became the first woman to ride around the world on a bicycle, SPIN travels from 19th-century women’s emancipation to the present day, forging unexpected links across time and history.
A whimsical TYA solo show about a talking snake is coming to the Toronto Fringe
Written and performed by Priscila Gonzalez, Snacey! is a high-energy tale right out of an early-2000s TVOkids television program.
REVIEW: Geoff Sobelle’s HOME journeys from hyperrealism to slapstick
It’s a multivalent work that toggles between gentle and abrasive, understated and triumphant, complicated and straightforward, experimental and crowd-pleasing.
REVIEW: With the help of a daring set, The Caged Bird Sings brings Rumi into the present day
Literal and metaphorical cages abound in this radical adaptation of Rumi’s Masnavi, produced by Modern Times Stage Company and presented in the Aga Khan Museum’s courtyard.
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