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Zoe Marin
Zoe Marin (she/her) is an Argentine-American theatre artist (director, writer, performer) and comedian (sketch, stand-up, musical comedy). She holds a BFA in Theatre from York University, and recently participated in the Toronto Fringe New Young Reviewers Program. Zoe loves: horror, comedy, music, politics, and pop culture, and hopes you see that in her work.
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iPhoto caption: Liz Appel headshot courtesy of Liz Appel.
Five questions with Wights playwright Liz Appel
Intermission spoke with Appel over email for a brief Q&A about Wights, now playing at Crow’s Theatre until February 9.
iPhoto caption: Poster courtesy of the Grand Theatre.
High-octane crime caper makes Ontario premiere at London’s Grand Theatre
This January, the Grand is diving into the world of diamonds, deals, and deceit with Arun Lakra’s Ocean’s Eleven-inspired Heist.
iPhoto caption: The team behind The Nine Lives of Ross Fordham poses for a photo. Photo courtesy of Theatre Aquarius.
Theatre Aquarius’ newest musical weaves a family tapestry out of stories and songs
Police officer Ross Fordham’s grandchildren and great-grandchildren are the talents behind the production, which opens on January 10 at Theatre Aquarius in Hamilton.
Call for applications: Publishing and editorial assistant
Intermission Magazine is seeking a dynamic and collaborative individual to join our team.
iPhoto caption: What Writing Can Do: The 2025 Musical Theatre Critics Lab
Announcing What Writing Can Do: The 2025 Musical Theatre Critics Lab
What Writing Can Do is timed to coincide with the Grand and Theatre Aquarius’ co-production of Waitress, which will serve as a jumping-off point for discussions throughout the Lab.
iPhoto caption: Photographed productions from L to R, top to bottom, with the photographer in brackets: seven methods of killing kylie jenner (Dahlia Katz), Big Stuff (Dahlia Katz), De Profundis (Dahlia Katz), Goblin:Macbeth (Jae Yang), Salesman in China (David Hou), Dana H. (John Lauener), Earworm (Dahlia Katz), Age Is a Feeling (Dahlia Katz), Honey I’m Home (Eden Graham).
Our favourite theatre productions of 2024, in Toronto and beyond
End-of-year lists are personal. When it comes to theatre, the question isn’t really what shows you liked most, but which ones left the strongest imprint, continuing to pinball around in your mind and heart even after the set is gone and the cast no longer recalls their lines.
iPhoto caption: Photo by Jeremy Mimnagh.
REVIEW: On the Other Side of the Sea toys with human desires and fears
The absurdist, magical play follows the unexpected relationship between an idealistic fisherman and a stubborn businesswoman.
iPhoto caption: Guildwood photo by Sean Stone, Dead Parents Society photo by Dahlia Katz.
REVIEW: Guildwood and Dead Parents Society traverse time and genre to examine community
Whether of laughter, sadness, or sympathy — there will be tears. And is that not what Aristotle said theatre was for?
REVIEW: Music, Then Comedy epitomizes the best of Canadian improv
While it may not be Canada Council-approved theatre, Music, then Comedy is definitely art.
REVIEW: CANOE brings mystical, operatic flair to Canada’s dark history
Through a minimalist aesthetic and a score that blends classical music with non-conventional elements, CANOE presents a deeply personal portrayal of two sisters grappling with the past.
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