Skip to main content

Review: Undercover

int(100114)
/By / Oct 20, 2017
SHARE

Undercover

Tarragon Theatre

Created by Rebecca Northan with Bruce Horak, directed by Rebecca Northan. At Tarragon Theatre. Runs until October 29, 2017.

Rebecca Northan is one gifted improv artist. She showed that in spades with her 2010 breakout work, Blind Date, where, every performance, she would choose a willing participant from the audience to go on a date with. Through conversation and questions to the fella, Northan fashioned a show that has played over six hundred performances in three countries.

Northan and her collaborator Bruce Horak have raised the stakes in Undercover, a multi-character murder mystery with a twist. After a homicide at a party, two detectives—one actor, one audience member—are brought in to try to find the killer in this partly scripted yet often improvised seat-of-the-pants show.

How does that work? Cast members, in costume as police, mingle with the audience in the lobby before the show begins to suss out eager participants. In the first scene, Roberta Collins, the wily, street-smart, gum-chewing, and quick-witted lead detective, played beautifully by Rebecca Northan, announces the name of her partner.

At the performance I was at, Ron Traub—a dentist, married for forty-nine years, man of few words—was selected. Northan set the tone when she chatted up Ron, telling him to just be himself, relax, and have fun. And throughout the production, she and the rest of the cast treated Ron with respect and kindness, making a point to show him in the best light. We were charmed.

There are five other characters in the play, and those roles are mainly scripted. The part of the second detective, played by Ron, is improvised with Northan, in character as Collins. She gives Ron a notebook and instructions on how to investigate, where to snoop around, and who to interrogate. Often the cast would riff on what Ron said and incorporate it into their dialogue. And if Ron seemed unsure of what to do next sometimes even the audience got involved: “Look in the purse!”

The accomplished team is composed of Northan and Horak, along with Northan’s brother Jamie and a group of close friends who have worked together often: Christy Bruce, Terra Hazelton, and Dennis Cahill (who taught them all improv eons ago). This means they have a shorthand when it comes to communicating and picking up thoughts and jokes. They know each other’s humour. The laughs wiz by. And Ron, who was a bit tentative at first, held his own and even managed to get off some zingers.

Every show is different because the willing participant is different. But Northan and her team know what they’re doing, and, if the show I was at is any indication, it will always be a fun time.

For tickets or more information, click here.

Lynn Slotkin
WRITTEN BY

Lynn Slotkin

Lynn is the former theatre critic for Intermission, and currently writes reviews on her blog The Slotkin Letter. She also does theatre reviews, interviews, and commentary for CIUT Friday Morning (89.5 FM). She was a theatre reviewer for CBC's Here and Now for ten years. On average, she sees 280 shows a year.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


/
iPhoto caption: Photographed productions from L to R, top to bottom, with the photographer in brackets: seven methods of killing kylie jenner (Dahlia Katz), Big Stuff (Dahlia Katz), De Profundis (Dahlia Katz), Goblin:Macbeth (Jae Yang), Salesman in China (David Hou), Dana H. (John Lauener), Earworm (Dahlia Katz), Age Is a Feeling (Dahlia Katz), Honey I’m Home (Eden Graham).

Our favourite theatre productions of 2024, in Toronto and beyond

End-of-year lists are personal. When it comes to theatre, the question isn’t really what shows you liked most, but which ones left the strongest imprint, continuing to pinball around in your mind and heart even after the set is gone and the cast no longer recalls their lines.

By Liam Donovan, , Karen Fricker
a christmas story iPhoto caption: A Christmas Story production still by Dahlia Katz.

REVIEW: A Christmas Story feels fresh at Theatre Aquarius

If you want to catch A Christmas Story before it closes, good luck — the show is close to sold out, and with the talent on that stage, it’s not hard to see why.

By Aisling Murphy
Production photo of Bad Dog's Holiday! An Improvised Musical at Factory Theatre. iPhoto caption: Photo by Danelle Jane Tran.

REVIEW: Yes, Holiday! An Improvised Musical really is different every night

Putting aside its opening number and a single proper noun, every word of Bad Dog Theatre’s Dora Award-nominated Holiday! An Improvised Musical has the potential to change from performance to performance.

By Liam Donovan
Production photo from Canadian Stage's Wizard of Oz panto. iPhoto caption: Photo by Dahlia Katz.

REVIEW: Canadian Stage revives the Ross Petty panto with pop songs, puns, and a pinch of Ozdust

Making a case for the panto’s return, The Wizard of Oz is full of local references and charm, and perhaps even some surprise guests to fill audiences with hometown pride.

By Ilana Lucas
Production photo of Titanique at Segal Centre. iPhoto caption: Photo by Marie-Andree Lemire.

REVIEW: Titaníque loves Céline Dion with all its heart

Content quibbles aside, Titaníque’s inarguable accomplishment is musical: What an amazing showcase for a Canadian cast’s vocal chops and capacity to deliver character through song.

By Karen Fricker
iPhoto caption: Photo by Ben Laird.

REVIEW: Twelve Days brings Christmas joy to lunchtime in Calgary 

Watching Twelve Days is reminiscent of opening up the door to a chocolate advent calendar: yes, you know what you’re gonna get, but heck if you don’t enjoy every second of it.

By Eve Beauchamp