When I started at Intermission, my world was limited to the confines of an armchair. Arts journalism was a high it felt dangerously fruitless to chase. The life stretched ahead of me was amorphous and frightening, a chasm filled with hand sanitizer and immigration concerns. It was worth crying over a spilled kombucha and scrubbing at the stain.
By Aisling Murphy /Jan 22, 2025
iPhoto caption: Madame Minister production still by Dahlia Katz.
The Bee’s Knees might evolve into a stronger project down the line, but at present, the play and production feel swept away by the spangled allure of the 1920s setting.
By Aisling Murphy /Nov 22, 2024
iPhoto caption: J. Kelly Nestruck headshot courtesy of The Globe and Mail.