Artist Perspective
iPhoto caption: Photo by Robert Motum
Why would anyone do a PhD in theatre?
In an industry where stagnant government funding and tuition freezes have contributed to increasingly rigorous competition for fewer full-time positions, I’ve found myself reflecting: why do a PhD in theatre today?
Will female stories ever have a place in Canadian theatre?
A season of less than 50 per cent female playwrights, directors, and actors means the female-identifying population is not being fully represented. Programming becomes a question of this play or that play, as opposed to this and that, resulting in some narratives receiving short shrift.
The spectacle of suffering: Toronto theatre’s addiction to trauma porn
Trauma is everywhere in Toronto — on the streets, subway, and stage — and maybe that’s why I’m so bored by it.
iPhoto caption: Rose Napoli appears as Margaret in her play Mad Madge. Photo by Dahlia Katz.
Rose Napoli reflects on Mad Madge, rom-coms, and the undeniable power of Patrick Swayze.