Brefny Caribou
iPhoto caption: Photo by Dahlia Katz.
REVIEW: 1939 finds tremendous power in the things left unspoken
Jani Lauzon’s production, now playing at Canadian Stage, paints a sharp portrait of a fictional residential school, but uses wide swathes of negative space to its advantage.
REVIEW: Theatre Rusticle’s Tempest goes gale-force in Act Two
As the production gradually unveils its splendours, the company’s impressive capacity for magic becomes clear.
REVIEW: Little Women at Stratford Festival
In three hours, Jordi Mand’s adaptation of Little Women covers an astonishing number of Louisa May Alcott’s plotlines, sparing little.