Making a case for the panto’s return, The Wizard of Oz is full of local references and charm, and perhaps even some surprise guests to fill audiences with hometown pride.
By Ilana Lucas /Dec 13, 2024
iPhoto caption: Playing Shylock production still by Dahlia Katz.
Theatre is consistently poised on a precipice where we worry that things will shut down because people care too little, or things will shut down because people care too much. In the nexus between those two states sits Saul Rubinek, espousing the fervent hope that theatre will, instead, teach us to care for each other.
By Ilana Lucas /Nov 4, 2024
iPhoto caption: My Name Is Lucy Barton production still by Dahlia Katz.
In Rona Munro’s adaptation, My Name Is Lucy Barton loses some bite; it’s debatable how well the idea works as a piece of theatre. That said, Beaty gleams in a rousing solo performance that showcases her range and emotional depth.
Jani Lauzon’s production, now playing at Canadian Stage, paints a sharp portrait of a fictional residential school, but uses wide swathes of negative space to its advantage.