Christine Horne
iPhoto caption: Promotional image from The Tempest: A Witch in Algiers at Shakespeare in the Ruff. Photo courtesy of Shakespeare in the Ruff.
REVIEW: The Tempest: A Witch in Algiers brings new meaning to a classic tale
You may think you know the story of The Tempest, Shakespeare’s shipwrecked saga about wizards, spirits, and nobility on a remote island. But in The Tempest: A Witch in Algiers, playwright Makram Ayache invites new consideration of canonized characters,
2023 in review at Intermission Magazine
It’s been one heck of a year at Intermission. After founding and leading the publication for seven years, including steering it through the pandemic, Philip Riccio decided it was time...
REVIEW: That Theatre Company’s Angels in America struggles to take flight
Considering how dangerous the play still feels on the page, the bottled-up nature of Craig Pike’s production left me disheartened.
iPhoto caption: Marti Maraden through the years. From left: as Sonya in Uncle Vanya (1978, photo by Robert C. Ragsdale); headshot by V. Tony Hauser; as Manon in Forever Yours, Mary Lou (1990, photo by David Cooper).
Marti Maraden left behind a legacy of care, intelligence, and depth of thought
In the days and weeks following her passing, artists from across the country have shared their experiences and memories of Marti. She is universally remembered as kind, generous, talented, supportive, and in possession of a very sharp mind and a very sharp wit.