covid19
REVIEW: Two Minutes to Midnight at Assembly Theatre
The setting? An unnamed budget resort. The scenario? The end of the world. The project? A play which has finally, thankfully, come to excellent fruition.
REVIEW: Orphan Song at Tarragon Theatre
The subject matter and scope of reference in this play are well outside what one usually sees on Toronto stages, and even though the production didn’t get where it needed to, it seems certain to spark conversations among adventurous theatregoers.
Sarah Kane’s Been Dead For 23 Years. I Still Don’t Know How to Thank Her.
My letters to you are a once-a-year digestif, an acknowledgment of gratitude, of lineage, of love.