diversity
iPhoto caption: (left to right) Jamie Robinson (original photo by John Bregar) and Walter Borden (original photo by Michael Meehan)
(Re)Casting the Shakespearean Mold: In Conversation with Jamie Robinson and Walter Borden
This is the heart of what (Re)Casting Shakespeare is about: examining how casting can influence the audience’s interpretation of the story.
i decided that i am not inconsequential; that the world needs me, that it needs me to express my point of view with as much brave precision as possible.
iPhoto caption: (clockwise from top left) Evander Jack Dewar, Gareth Finnigan, and Dustin Sedore (inset) in rehearsal for David Yee's good white men; Alison Adams, Katelyn Doyle, and Sam Cranston in rehearsal for Karen Hines' The River of Forgetfulness; Bethany Joy Radford and Marissa Rasmussen in rehearsal for Elena Eli Belyea's The Jubilant; Sam Cranston in rehearsal for Karen Hines' The River of Forgetfulness. Photos by Sébastien Heins, Kristen Siapas, and Kaelee Brassard-Welch.
Hope Springs Eternal in The Stream You Step In
On a Zoom call that confirmed our students’ worst fears for their final year, I was there to provide a glimmer of hope: a partnership with Outside the March to commission original digital plays for our graduating class.
Intermission’s Most Popular Articles of All Time
Here at Intermission we strongly believe that providing a platform for theatre artists to elaborate on the ideas behind the work they are making is important to establish a dialogue with...